Скачать с ютуб 12" & 14" Snare drums tuned equally (Check description for info.) в хорошем качестве

12" & 14" Snare drums tuned equally (Check description for info.)

This video shows two very different snare drums that are tuned similarly. Drumtune PRO | Drum Tuner Android: https://play.google.com/store/apps/de... iOS: https://itunes.apple.com/be/app/drumt... These are some specs of both snares: "The Phantom": 12" diameter snare, 5" depth. (Birch/Walnut, 45° Sharp bearing edges, Rolled hoops, 8 lugs.) Remo Ambassador coated batter, Remo Ambassador clear reso. "Orion Black Panther": 14" diameter snare, 6.5" depth. (Maple, Rounded Custom bearing edges, Die-cast hoops, 10 lugs.) Remo Black Suede Emperor batter, Evans 500 clear reso; Despite their very different configuration, both snare drums are tuned (nearly) exactly the same. The fundamental tone of both drums is 221 +/- 1Hz (A3) The batter head lug pitches of both drums are 330 Hz +/- 1Hz (E4) The resonant head lug pitches of both drums are 426-430 Hz +/- 1 Hz (Nearly A4) The batter head's lug pitch is a Perfect 5th above the fundamental tone. The resonant head is almost a Perfect 4th above the batter head and an 8av above the fundamental tone. This pitch relationship gives an "open" and harmonically consonant "ring sound" to both drums. A fundamental tone of 220Hz for a snare drum is a bright tone, not a 'phat' & dark sounding tone. The proportion of the interval affects the sound & feel of rim-shots and rim-clicks. (A wider interval between the batter head's lug pitch and the drum's fundamental tone gives more contrasted rimshots.) Tuning the right way and having the right drum & heads for the sound you're after is quintessential. On the one hand, tuning your drum the right way is the best basis to reach a particular sound. On the other hand, once tuned well, then having the right drum and type of heads is the right way to achieve a specific 'feel' of that particular sound. Tuned this way a dead-center hit can still sound quite 'dry,' while off-center hits and rimshots will sound wide-open, without damping. Don't let the undamped sound distract you. If damping is applied to the batter head and if the wires are tightened more, this tuning gives a nice short and aggressive 'crack,' sound-wise going towards funk/metal, etc. Adding some form of muffling to control your snare sound is a normal addition to a well-tuned basis to reach a sound. Don't hold back exploring muffling-means creatively: it's the final sound and playability that counts! /////////// Despite the equal tuning of both drums, it can be clearly heard that the 'body' and the 'feel' & 'color' of the timbre of the drum sound is different for both drums. This is mainly the consequence of the difference in shell diameter and depth between both drums. The difference in the installed drum head types plays a role too. (The shape of the bearing edge, counter hoop, amount of lugs and shell material play a role as well, but it has less influence.) While the sustain of the fundamental (especially its dynamic behavior in the timbre during the decay) is very different when comparing the drum sound of both drums, at the same time the "ring" of both drums is also surprisingly close-sounding. Perhaps more close-sounding than one would suspect, considering their different sizes + their difference in construction and heads choices. ///////////// At first 'hearing' one may think these drums don't have the same primary tones at all, due to their different 'sound-color'. While both drums sound much different "color-wise," their primary tones are (nearly) the same. But their primary tones are mixed inside the different timbre and attack. That gives another psycho-acoustic perception. For a beginner, it is not easy to separate these primary tones from the full mix, in a more selective way, but this can be practiced easily once known "what" to listen to specifically. When listening to a drum's sound with the purpose to analyze it, one should try to listen "through" the timbre and "beyond" the color of the attack, before the fundamental tone, or the lug pitch can be perceived "objectively." Mastering this way of listening takes some practice at first. Hit near the edge and listen carefully. Let your brain intuitively do the analysis & 'sing' the "average" tone of what you think you heard. Do this a couple of times for a center hit and for an edge hit. After a while, you'll start to get the 'feel' & a "mental click" is made. Thereafter you'll be able to listen "through" the "timbre" and 'beyond' the" attack" and "body" of the drum sound. Tuning plays an important part, so does the drum and choice of drumheads, room sound, etc. Listen carefully to what you're doing while tuning. Control your tuning to free the full sound potential of your drums. It's all about the 'color' and the 'feel.' From a musical viewpoint, not only the tone itself but also its timbre & its dynamics during the decay, give the sound of your drum its character and personality! Happy exploring!