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Скачать с ютуб Quantizing Vocals Cleanly Using Logic Pro’s Flex Time в хорошем качестве

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Quantizing Vocals Cleanly Using Logic Pro’s Flex Time

Doubling and tripling vocal tracks are an essential technique in music production. It makes choruses and certain parts of the song pop-out and feel beefy. However, further vocal takes are sometimes not perfectly synced to the main vocal track. Some producers like that effect, while some don’t. It’s a matter of preference. But if you want the layered vocals to perfectly sync without having to re-record the vocals, you can use Flex Time. Flex Time is probably one of the coolest things in Logic. But if you don't use it correctly or do it right, you can get unwanted artifacts or little edit noises in your audio. On this walkthrough, I show you how to cleanly stretch and edit vocal tracks using Flex Time: Specifically where to strategically place flex markers to avoid creating the glitchy, unpleasant artifacts in your mix. Logic Pro https://www.apple.com/logic-pro If you want specific tutorials/walkthroughs around music production, feel free to reach out. Here are our links: Instagram -   / ingramaudioco   Facebook -   / ingramaudioco   Twitter -   / ingramaudioco   Spend less time mixing and more time creating. Download the Drum Daddy One Shot Kit for free! https://ingramaudio.co/products/free-... Visit our website to see more of our cool music production software! https://ingramaudio.co Timestamps 00:00 - Intro 00:26 - Syncing doubled vocal tracks 00:43 - Starting the Flex Time edits 01:14 - Set Flex Time to monophonic 01:59 - Where to avoid placing flex markers 02:24 - Try to place flex markers on gaps with no audio 02:55 - Dragging the track to line up with 2nd audio track 03:38 - Placing specific markers to avoid mess ups 04:49 - Instances where you place markers in the vocal 05:47 - Look at noticeable characteristics in the track 06:37 - You can put flex markers on “explosive” sounds 07:32 - Editing the “k” on “krash” 08:19 - Put flex edits in the gaps/middle of the words 09:06 - Editing the last word 09:44 - Checking to see if the edits are noticeable 10:42 - Outro About Nick Ingram Nick Ingram is a music producer, recording/mixing engineer, science nerd, and cheese fry enthusiast. Over the past 13 years, Nick has worked hard in the music industry creating a unique sound and making a name for himself. Artist credits include Beartooth, Hawthorne Heights, Like Moths To Flames and more.

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