Скачать с ютуб How to Achieve Natural Sounding Tuned Vocals Using Melodyne в хорошем качестве

How to Achieve Natural Sounding Tuned Vocals Using Melodyne

In this tutorial video, Nick teaches you how to graph tune your vocals using Melodyne to achieve pitch perfect vocal tracks without sounding too processed. Melodyne has the capability to edit the intonation of each word in your vocal track. It’s a very powerful tool for tuning vocals. However, you might be tempted to overdo the tuning resulting in robotic vocals. Nick gives you the tips and tricks, the thought process, and shows you how to tune your vocals professionally on a sample rock track. Spend less time mixing and more time creating. Download the Drum Daddy One Shot Kit for free! https://ingramaudio.co/products/free-... Visit our website to see more of our cool music production software! https://ingramaudio.co Timestamps: 00:00 - Intro 00:12 - The project that we're working with 00:40 - Listening to the vocal tracks 01:12 - Starting the tuning process 01:22 - Focusing on the main vocal track 01:45 - Why putting Melodyne on top of plugins is bad 02:09 - Creating a tuning track 02:58 - The techniques are applicable to all versions 03:29 - Transferring vocal tracks to Melodyne 04:20 - Getting familiar with Melodyne's layout 04:40 - The key to getting tuned vocals sounding natural 05:19 - Using the note separation tool to make cuts 05:42 - Using the pitch tool to level out the intonation 06:10 - Applying more tuning to a phrase 06:30 - Too much fine tuning can sound robotic 06:42 - Tuning the next word 07:19 - Manually tuning using pitch deviation 08:13 - Comparing robotic to natural sounding tuning 08:30 - Tuning raspy vocals 09:58 - On to the next phrase 10:41 - Make cuts on the humps and dips 11:03 - Flatten the sections after separation 11:18 - Beginning of words can be imperfect 12:38 - Tuning pitchy words 14:10 - You don’t need to edit all of the words 14:58 - On to the next word 15:37 - Editing long, held out words 16:42 - Tuning words that are supposed to on a same note 18:20 - Why you should avoid drastic tunings 19:36 - Fixing jaggedy parts 20:51 - On to the next word 22:00 - Making “deep” edits 23:48 - On to the next parts with drastic movement 25:06 - On to the next word 25:29 - Applying “bright” tuning 25:48 - Cut on the red line plateaus 27:20 - Making a “three-point cut” 28:08 - An “eternal” struggle to tune 29:06 - A “fight” to make the pitch right 30:01 - Making another “three-point cut” 31:12 - Editing a “wild be” 31:54 - Taming another wild word 32:10 - Checking if a raspy note is in tune 32:33 - Fixing a “painfully” bad take 32:45 - The third “three-point cut” 33:32 - For words that aren’t really hitting a note 34:06 - Making a wild edit 34:35 - Melodyne doesn’t pick up raspy vocals well 35:09 - Fixing the end of a word? 35:16 - Tuning “fuel” 35:33 - Look for the big dips that catch your eye 36:21 - Fixing the last word “ignite” 38:10 - The next step after tuning: Render or Bounce 39:05 - Mind your volume when rendering or bouncing 39:22 - Listening to the final track 39:59 - Conclusion 40:20 - Outro About Nick Ingram Nick Ingram is a music producer, recording/mixing engineer, science nerd, and cheese fry enthusiast. Over the past 13 years, Nick has worked hard in the music industry creating a unique sound and making a name for himself. Artist credits include Beartooth, Hawthorne Heights, Like Moths To Flames and more.