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Bob Clampett Reel

Robert "Bob" Emerson Clampett (May 8th, 1913 - May 2nd, 1984) was an animator, director, showrunner, puppeteer and comic artist. A versatile cartoonist whose work covered an expanse of various mediums, he is most remembered for the cartoons he directed at Warner Bros. spanning from 1937 - 1946, along with his brash, wild, off-kilter and energetic sensibilities. While Clampett's career at Warner Bros. began in 1931, his career as a cartoonist spans back to when he was only 12, drawing and submitting cartoons to The Los Angeles Times. With his work grabbing the attention of powerful figures such as William Randolph Hearst, he was promised a contract at King Features after graduating, and even a deal to fund an education at Otis Art Institute. However, with animation on the rise, Clampett's priorities began to shift. He canceled his contract with King Features in hopes of getting a job at Disney's. He and his aunt Charlotte had collaborated in creating Mickey Mouse dolls together, with Clampett heading to a local theater, sketchpad in hand, to draw up references. These dolls eventually got the attention and approval of Walt and Roy Disney themselves, who employed Charlotte and other seamstresses to produce more. Walt even agreed to give Clampett a job at the studio once he graduated high-school, which led him to cancel his contract with King Features. However, a studio expansion found him without an available position, which led to him seeking elsewhere. Thus, Clampett got his first professional job as an animation assistant at the Harman-Ising Warner Bros. studio in 1931, citing "Lady, Play Your Mandolin!" as his first cartoon. He'd notably pitch some gags in the next Merrie Melody, "Smile, Darn Ya, Smile!", which involved advertisements coming to life, singing, and cracking jokes. This would later evolve into many shorts dedicated to such a premise. Clampett would be promoted to a full-time animator in 1934, and contribute layouts to Tex Avery's cartoons when Avery arrived in 1935. They would work together until Clampett, Chuck Jones, and Bobe Cannon--all members of Avery's "Termite Terrace" unit--were contracted to help Ub Iwerks direct some cartoons. Then, in 1937, Clampett found himself in the director's chair when Iwerks disappeared from the studio. Clampett would remain directing at Schlesinger's until May of 1945, where he'd sensed the potential of television. Before launching a career in TV, he would direct one solo cartoon for the very short lived Republic Features cartoon division: "A Grand Old Nag" was released in 1947, bearing the distinction of Clampett's final theatrical cartoon. Instead, Clampett found success elsewhere--1949 heralded "Time for Beany", spearheaded by Clampett at Paramount's KTLA studio. Clampett's lifelong adoration of puppetry and stop motion manifested in one of the most popular shows of its time (and notably cited as a favorite of Albert Einstein's.) It likewise gave a voice to two rising stars: Daws Butler and Stan Freberg. While the show itself concluded in 1954, it saw a brief revival in animated form with Clampett's 1962 cartoon adaptation, simply titled "Beany and Cecil". While it would be Clampett's last major stint with cartoons, he would give lectures at universities and festivals in later years. Clampett remained active in his touring until his final days. In May of 1984, he would pass away during a trip where he was promoting the release of Beany and Cecil on home video. Bob's animation work is often defined by large, circular eyes, occasional smear trails and impact lines, ambient movement, pronounced eyebrows or raised cheeks, and a general evenness in timing. Music: "Jeepers Creepers" and "Corn Pickin'" by Jimmy Walsh, "There's a Brand New Picture in My Picture Frame" by Bunny Berigan, and "It Had to Be You" by Artie Shaw. 0:00 Porky and Gabby (1937) dir. Ub Iwerks 0:20 Porky’s Duck Hunt (1937) dir. Tex Avery 0:39 I Love to Singa (1936) dir. Tex Avery 0:52 A Cartoonist’s Nightmare (1935) dir. Jack King 1:05 Porky’s Badtime Story (1937) dir. Bob Clampett 1:51 Gold Diggers of ‘49 (1935) dir. Tex Avery 2:12 I’d Love to Take Orders from You (1936) dir. Tex Avery 2:42 Plane Dippy (1936) dir. Tex Avery 3:19 I Only Have Ice for You (1937) dir. Tex Avery 3:26 Porky’s Super Service (1937) dir. Ub Iwerks 3:53 I Haven’t Got a Hat (1935) dir. Friz Freleng 4:04 The Village Smithy (1936) dir. Tex Avery 4:27 Porky’s Duck Hunt (1937) dir. Tex Avery 4:47 Ain’t We Got Fun (1937) dir. Tex Avery 4:53 Picador Porky (1937) dir. Tex Avery 5:14 The Blow Out (1936) dir. Tex Avery 6:15 Page Miss Glory (1936) dir. Tex Avery 7:01 Hollywood Capers (1935) dir. Jack King 7:25 The Village Smithy (1936) dir. Tex Avery 7:57 Porky & Gabby (1937) dir. Ub Iwerks 8:21 Porky the Rainmaker (1936) dir. Tex Avery 8:45 Porky’s Duck Hunt (1937) dir. Tex Avery