Скачать с ютуб Grateful Dead Guitar Lesson ► Jerry Garcia 7-4-89 Deal Solo Tutorial - PART 2 в хорошем качестве

Grateful Dead Guitar Lesson ► Jerry Garcia 7-4-89 Deal Solo Tutorial - PART 2

Part 2 of a 12 part course on how to play Jerry Garcia's awesome solo from the 7-4-89 Deal with the Grateful Dead. For the free & printable tab for this lesson, check out http://www.amarguitar.com/dealsolo2 This video is part of a playlist:    • Jerry Garcia Guitar Lesson: 7-4-89 De...   In this lesson, you will learn the guitar techniques that Jerry Garcia uses when improvising. You'll also learn the music theory behind why his licks and his playing style sound so good. Although I do try my best to emulate his sound and tone for this lesson, I promise you that these licks will sound great regardless of the equipment you are using. ************** ► Performance Gear & Tone Tools: Custom Jerry Garcia Tiger Guitar By Lieber Guitars Vintage 1966 Blackface Deluxe Reverb with Celestion Classic Lead 80 guitar speaker, 8 ohm - http://amzn.to/2p3fmFI Pickboy Pos-a-Grip Jazz Classic Tortoise Shell Cellulose 1.50mm Picks - http://amzn.to/2o36aQW Planet Waves Custom Series Right Angle Guitar Cable - http://amzn.to/2nArFw9 ************** ► Audio Recording Gear: Focusrite Scarlett 2i4 USB Audio Interface - http://amzn.to/2p35uMj MXL 990 Condenser Microphone (vocal capture) - http://amzn.to/2pK1lxy Sennheiser E609 Silver Super Cardioid Instrument Microphone (guitar amp capture) - http://amzn.to/2ovgGDr LyxPro Balanced XLR Cable Premium Series Cable - http://amzn.to/2ppnhwB Audix CABGRAB1 CabGrabber Mic Clamp for Guitar Amps/Cabinets (holds Sennheiser e609 to guitar cabinet) - http://amzn.to/2p3eNvK ************** ► Video Recording Gear Panasonic LUMIX G7 with 14-42 mm Lens Kit - http://amzn.to/2pcJlul AmazonBasics 50-Inch Lightweight Tripod - http://amzn.to/2pcJlul ************** About this video: In July 1988, Jerry Garcia sat down with Guitar Player magazine to share some secrets behind his approach - “You need to have enough access to the fingerboard that you’re not hung up about what where you are. In other words ‘What Key am I in? What scale interval am I at?’ You need to be able to let that go past you. I’m just getting into being able to get a good sound, regardless of the structure or mathematics. So much of the guitar is patterns. But if you look at it right, patterns start to melt into each other; pretty soon you can hit anything from anywhere.”