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Dhanush opposite Al Pacino or Robert De Niro? Karthik Subbaraj clarifies. 6 лет назад


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Dhanush opposite Al Pacino or Robert De Niro? Karthik Subbaraj clarifies.

Karthik Subbaraj, who is directing the next Rajinikanth film, talks about being a “social media generation” director, making short films and learning from them. He talks about his writing process and how he writes complex screenplays like Jigarthanda and Iraivi. He discusses the the layering of characters, the staging of shots. He talks about how the climax of Pizza helped him form the rest of the narrative (when people asked him to make it like Chandramukhi), and about his twists. He talks about the challenges of making a silent film like Mercury, with Prabhu Dheva. (And about Kamal Haasan’s silent film, Pesum Padam/Pushpak.) He talks about social responsibility and being an urban filmmaker. He talks about his Tarantino fandom, and his involvement in making music (with Santhosh Narayanan). He talks about his Dhanush film, where he wants an antagonist of the stature of Al Pacino or Robert De Niro. He speaks of his love for Baba and Lingaa, and abut classic Thalaivar films like Mullum Malarum and Nallavanukku Nallavan. Finally, he answers rapid-fire questions on Rajinikanth. Visit us at http://filmcompanion.in Do Like, Share, Comment & Subscribe to our channel. Subscribe: http://bit.ly/FCsubscribe Follow Us On:   / fcompanionsouth     / fcompanionsouth     / fcompanionsouth   The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review.

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