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Скачать с ютуб FDTimes Looks at Cooke Varotal/I FF Zooms в хорошем качестве

FDTimes Looks at Cooke Varotal/I FF Zooms 1 год назад


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FDTimes Looks at Cooke Varotal/I FF Zooms

Full Frame Faces The idea was to focus on faces, since so much of what we do is all about the faces of actors and actresses and real people. These are Full Frame lenses—so that meant a Full Frame camera with the widest range of internal NDs because I love to shoot wide open. We wanted the lenses unadorned, without filters. Skin tones appeared beautifully smooth and gentle when captured on the latest 8K sensor and delivered in 4K. We looked at 19-40, 30-95 and 85-215 Cooke Varotal/i zooms on the latest Sony VENICE 2, recording 8.2K 17:9 DCI at 24 fps. Jon Fauer assembled the rough cut with music on DaVinci Resolve Studio. Corey Abel did the final cut on Adobe Premiere, which made the round trip back to DaVinci Resolve Studio for grading and delivery. The List of Thanks is Long: AbelCine @abelcine for production services, equipment and locations. Pete Abel for his enthusiasm and generous support of this production. Pete and Rich Abel for starring roles in the film. Eric Johnston, Cooke Director of Business Development for organizing the Varotals and taking the BTS photos. Tanya Lyon, Sony Marketing Communications Manager—Cinema Division, and Paul Healy, Business Development at Sony, for diverting a VENICE 2 to our 1-day prep / 1-day shoot. Locations were all within Industry City, a vibrant, creative community with more than 500 businesses, including media and technology companies, art studios, sports facilities, restaurants, bars, and shopping in 16 huge buildings on the Brooklyn waterfront. AbelCine’s huge windows provided beautiful available light for a large cast of AbelCine staff who patiently endured available props, butterflies on their noses, and bad jokes to make them grin. Moore Brothers Wine Company is across the street from AbelCine. The store is chilled to wine-cellar 55 degrees, so wear a jacket while you browse their vast selection of wines from small-family estates in France, Italy, Germany, Spain, Argentina, and the United States. Christophe Pourny Studio is one flight upstairs, with Travaux En Cours woven hats and all manner of French furnishings, home goods, soaps, chefs aprons, books and designer tote bags. Crew: Director/DP Jon Fauer, ASC Focus Puller/AC Tom Kane DIT: Geoff Smith Tech Services Supervisor Avery Venable-Turner Gaffer Ross Faccio Production Coordinator Nastasia Avrutin Production Services Megan Donnelly

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