Скачать с ютуб 🎹Digital Piano vs Piano VST - Kawai NV5 vs Vienna Symphonic Library Yamaha CFX, Ravenscroft 275🎹 в хорошем качестве

🎹Digital Piano vs Piano VST - Kawai NV5 vs Vienna Symphonic Library Yamaha CFX, Ravenscroft 275🎹

🛒 Get the Kawai NV5▸https://www.merriammusic.com/product/... 🛒 See More Digital Pianos▸ https://geni.us/Digital-Pianos 💕 Subscribe to Merriam Pianos HERE ▸ http://bit.ly/SubscribeMerriam 🔔 Click the 🔔 bell to be notified of all videos! ▸ http://bit.ly/SubscribeMerriam #DigitalPiano #VST #Piano Hi everyone, and welcome to another piano comparison video here at the Merriam Pianos YouTube channel. Firstly, our resident piano expert Stu Harrison took the plunge - he’s exchanged his acoustic upright piano for a digital, and now has it integrated fully into his home studio setup. Not surprisingly, it’s a Kawai Novus NV5 - one of our favourites here on the channel. But more interestingly, we’re comparing it with the VST engines on the market and finding out that they aren’t oceans apart when it comes to quality. For this video, we’ve recorded a playing sample on the Novus, and then played it back through the Ravenscroft 275 VST from VI Labs, as well as the Vienna Symphonic Libraries “CFX Yamaha” library, using identical midi information. And the first thing that’s quite obvious is that there isn’t a dramatic - if any - quality issue between the two types of sound source. The Novus stands up incredibly well next to two of the leading engines out there, and while there will be differences in character and exact mic placement, there’s not an inherent difference in the fidelity of the experience. There will of course be operating differences between the two categories: Control VST’s, or at least a good number of them, offer a very high level of customization that simply isn’t available with most digital pianos. Especially with a modelling engine from Pianoteq, or the Garritan or Ravenscroft interface with multiple processor and sample sets to choose from, the number of combinations is far greater than what most digital piano engines will offer. But it’s not WAY off. Kawai’s SK-EX Rendering engine gives quite a few parameter control options, as well as different presets to select from. The same with Roland’s Pure Modelling. Responsiveness The sound itself is a distinct consideration from the sense of responsiveness you have when playing it, which is a function of how they’ve mated the action with the tone generator. It’s a crude analogy, but whether or not a car can go fast and corner is entirely different from how it feels to drive the car. How well are your inputs matched to the piano’s tonal output? This was an area where a great digital seems to have an advantage, especially when you compare the exact same midi information. Conclusions The average digital piano sound still trails the average VST when it comes to the quality of the samples and range of editability. But for the very best in the digital piano world - of which the Novus 5 is undoubtedly a member - the gaps in sound quality are at best non existent, and at worst barely discernable. And there may still be some advantages to having an action matched perfectly with a sound engine when it comes to how accurately the piano will respond to your inputs. Thanks for watching! Connect with Merriam Music: ● Website ▸ https://www.merriammusic.com/ ● Contact Us ▸ https://www.merriammusic.com/contact/ ● Instagram ▸   / merriammusic   ● Facebook ▸   / merriammusic   ● Twitter ▸   / merriammusicinc