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Korg Opsix - Operator Modes In Depth: FM Mode

Korg describe the opsix as an "Altered FM" synth, and although I understand from a marketing perspective why they're leaning into the FM side of things given the inspiration drawn from the legendary DX-7 (and the success of the Volca FM), I think "Altered FM" actually downplays the power within the opsix. With the Opsix, Korg have taken some of the key philosophies form FM synthesis - in particular the idea of operators flowing into each other and altering the sound of each operator in a chain - but then asked the question: what if those operators didn't have to be doing FM? So, with that in mind: here's the first video in the series where I'll be doing a deep dive into the operator modes on the opsix, starting with the FM mode. Chapters: 00:00:00 - Intro 00:01:08 - Introduction to Algorithms 00:05:25 - Introduction to Operator Modes 00:09:25 - Waveforms 00:11:38 - Introduction to FM 00:13:52 - Modulator level 00:14:16 - Modulator complexity 00:17:54 - Frequency relationships - ratios 00:19:55 - Frequency relationships - integration and tonality 00:28:38 - Frequency relationships - fixed frequencies 00:33:15 - Frequency relationships - fixed frequencies - LFO rate (oscillator drift) 00:37:24 - Algorithms and their uses 00:43:55 - Feedback control 00:47:40 - Width control 00:51:11 - Outro The following is an affiliate link, if you're thinking of buying an opsix (or anything, actually) and use this link, it helps to support the channel: https://link.perfectcircuit.com/t/v1/... Transparency notice: the Opsix was kindly provided to me by Korg, but they have not had any input as to the content of these videos. http://www.oscillatorsink.com Facebook:   / oscillatorsink   Twitter:   / oscillatorsink   Instagram:   / oscillatorsink