Скачать с ютуб Raga Lalit | Vidushi Dr. Ashwini Bhide Deshpande | Sau Sau Baar Balma | Ja Ja Re Ja Balam в хорошем качестве

Raga Lalit | Vidushi Dr. Ashwini Bhide Deshpande | Sau Sau Baar Balma | Ja Ja Re Ja Balam

Divine Rendition of Raag Lalit by Dr. Ashwini Bhide Deshpande. This rendition is the part of Ashwini-Bhide-Deshpande – Morning Ragas Vol.1 00:00 - Vilambit Khayal : Sau Sau Baar Balama 25:58 - Drut Khayal : Ja Jare Balam Ja ______________________________________________________ Raga: Raga Lalit Taal: Teentaal Ektaal Composition: Sau Sau Baar Balama - Traditional Ja Jare Balama Ja - Gunidas Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana Tanpura: Madan Bongale Tabla: Shri. Subhash Kamat Harmonium: Shri. Arawind Thatte ______________________________________________________ 📝Lyrics: ************ Sau Sau Bar Balma*********** सौ सौ बारे बलमा, तुमीसो बात कही है | मन मे कपट और झूठी बात । हम बूझत जब मुकर जाते हो, यही तिहारी रीत रंगीले | सौतन के घर की रुतुमानी, दो दो दिन और दो दो रात ॥ ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own.