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Tempo is Quarter note = 105bpm. One measure before Rehearsal 1 there is no fermata. The accompaniment continues in time. In the third bar of Rehearsal 1, there is a slight ritard on beats 3 & 4, and then back to a tempo in the next measure. Seven measures before Rehearsal 2, there’s a ritard through the measure and then a tempo in the next measure. Eighth measure of Rehearsal 2, there is a slight ritard leading to the next measure. Five measures before Rehearsal 4, there is a slight ritard to accommodate a breath leading back to a tempo in the next measure. Leading into the Recit., the tempo slows to Quarter note = 98bpm. The fermata is twice as slow. The cadenza should be timed to play freely. Tempo for the Adagio is Quarter note = 100bpm. Tempo at energico is slightly faster at Quarter note = 103bpm. Leading into the pesante measure, two measures before rehearsal 7, there is a ritard leading to the fourth beat of the measure before 7. Back to a tempo at Rehearsal 7. There is a slight ritard third measure of Rehearsal 9. Tempo for the Rondo is Quarter note = 93bpm. There is no fermata leading into the ninth measure marked ‘dolce’. The accompaniment continues in time. At Rehearsal 16 the tempo jumps to Quarter note = 110bpm. The tempo is slightly slower the measure before the final pesante.