Скачать с ютуб Caoine for a Dead Child - cello sheet music - Irish Cello - Ilse de Ziah - Keening в хорошем качестве

Caoine for a Dead Child - cello sheet music - Irish Cello - Ilse de Ziah - Keening

This music features in the new album Transcendence from Ilse de Ziah and in the collection of cello sheet music Sacred Irish Music for Solo Cello Play the cello sheet music: https://store.playcellomusic.com/p/sa... Listen to the whole album and new recordings of the tracks: Spotify https://spoti.fi/3kwLei6 Google Play shorturl.at/kCDF4 iTunes https://apple.co/35PrO3Q Bandcamp https://ilsedeziah.bandcamp.com @Ilse de Ziah playing Caoineadh Do Leanbh Marbh (Caoine for a dead child) Based on the singing of Kitty Gallagher, this is one of the few recorded keening songs. Keening has been stamped out all over the world but there is a growing interest in this form of mourning for the dead. The powerful repetition and deep connection to emotion make a keen very cathartic when mourning the dead. Particularly in a time like this I feel it is important to express the grief. I hope this can bring some solace or an emotional release if you have been suffering. The keening practice in Ireland is referred to as Caoineadh, which means ‘to cry, to weep’. The earliest record is from the 8th century. This ritualised lamentation for the dead took place around the deceased in their house or another communal setting. Usually led by a bean chaointe (keening woman), who was often paid for the service, it would build up and up and could go on for three days. The keening would be improvised verses using a formulaic opening line followed by short rhymed lines. It would include a litany of who the person was, with positive and negative themes expressed. The positive being who they loved, who loved them, their generosity, prosperity, bravery, even their clothing. And the negative could be grievances about the deceased, or who was responsible for their death, and who their enemies were. It was accompanied by movements such as rocking, kneeling and clapping. Groups of women would join and support the bean chaointe. They would cry their hearts out in a huge cathartic release of grieving. The tone could be hard and intense, with tremendous power. When you heard them keening it was said the hair would rise on the back of your neck. There are no actual recordings of keening during a ceremony, and the few that exist are sung as examples of what was sung. The nature of the music was not something that would be documented. Keening was banned by the Catholic church from 1670 as it was a pagan remnant and women could not be a conduit between earth and the afterlife as it was thought to be solely the priests job. There are stories of priests whipping women away from the graves as they wailed. This is one of the pieces in my upcoming collection Sacred Irish Music for Solo Cello. https://store.playcellomusic.com/p/sa... Thank you to my Patreon members who support me in making videos! If you would like to help me keep writing and playing you might consider becoming a patron and receive the perks involved in this! Read here;   / ilse   https://store.playcellomusic.com/p/sa...