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Nirvana - Endless, Nameless (Guitar Cover)

Attempting to conclude Nevermind with the CD equivalent of a sound skipping in a run-out groove, Kurt and company instructed engineer Howie Weinberg to follow closer "Something In the Way" with ten minutes of silence and the noisy outtake "Endless, Nameless." An extended jam that often closed concerts, the band recorded the track after the session for "Lithium" went south, the frontman bringing said session to a close by smashing the studio's only left-handed guitar in the middle of the take. Thanks to Nevermind, these sort of hidden tracks would remain popular until WinAmp and its descendents revealed track lengths before the listener pressed play. But Kurt's smashed guitar would hang around even longer, immortalized in a photograph reprinted in Michael Azerrad's Come As You Are and later in a Nirvana exhibition at Seattle's EMP Museum. Tuning: Half step down and drop A# Equipment used: Fender Kurt Cobain Mustang, Boss DS-1, Electro Harmonix Small Clone and Fender Mustang IV amp Lyrics: Silence Here I am Here I am Silent Bright and clear It's what I am I have Died [Interlude] Mother Mother Mother Mother [Verse 2] Death And violence Excitement Right here Died Go to hell Here I am Right here Ow! [Interlude] Mother, no más No más, mama [Verse 3] Death Is what I am Go to hell Go to jail In back of that Crime Here I am Take a chance Dead Die Nirvana endless, nameless guitar cover #Nirvana #Endlessnameless #KurtCobain