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Christoph Prégardien; "Im Freien"; Franz Schubert

This channel is the re-establishment of previous channels that have been sadly terminated. ========================= Christoph Prégardien--tenor Andreas Staier--fortepiano 2008 ==================== BBC Music MagazineJanuary 2009 …an outstanding performance. …deeply engaged robustly expressive singing whose rhythmic rigour and details of phrasing and articulation reveal an exciting commitment to this great cycle. …with Staier's fortepiano providing a wonderful mixing and misting of the tonal palette in songs like 'Die Stadt', the performances are also graced with an exceptionally lively and well-balanced recording. ============================ Gramophone MagazineApril 2009 Prégardien's dulcet tenor, subtly and gracefully deployed, is heard to advantage both in these Seidl songs and in Schwanengesang. Where so many singers seem to "think" the whole collection in the minor key, as it were, Prégardien is eagerly expectant in "Liebesbotschaft" and sings a smiling, seductive "Fischermädchen". ..."Abschied" is blithely insouciant, the wistfulness of the final verse lightly touched - and how well the delicate, slightly veiled sonorities of Staier's fortepiano complement the voice, here and elsewhere. While it is absurd to speak of an outright "winner" in such a crowded field, Prégardien and the ever-illuminating Staier join Schreier, Hotter, (EMI, 10/94) Fischer-Dieskau, 1962 vintage (EMI) and Brigitte Fassbaender (DG) on my roster of indispensable Schwanengesang recordings. ============================ "Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's St John Passion and St Matthew Passion. Excerpt of the Evangelist's recitative from Bach's St John Passion Born in Limburg an der Lahn, he began his musical education as a choirboy at the cathedral's boys' choir, the Limburger Domsingknaben. He then studied singing with Martin Gründler and Karlheinz Jarius in Frankfurt at the Hochschule für Musik, with Carla Castellani in Milan, with Alois Treml in Stuttgart, and attended Hartmut Höll's lieder-class. His orchestral and oratorio repertory spans a wide range from the great Baroque, Classical and Romantic Oratorios to 20th-century works by Britten, Killmayer, Rihm, and Stravinsky. Also recognized as an eminent recitalist, he regularly performs at the major recital venues in Paris, London, Brussels, Berlin, Cologne, Amsterdam, Salzburg, Zurich, Vienna, Barcelona and Geneva, as well as during his concert tours throughout Italy, Japan and North America. He regularly collaborates with piano partners Michael Gees and Andreas Staier. He has made over 120 recordings, on major labels such as BMG, EMI, Deutsche Grammophon, Philips, Sony, Erato and Teldec. His recordings of German Lieder have been highly acclaimed by the public and press, and have received international awards, including the Orphée d'Or de l'Academie du Disque Lyrique, the Edison Award, and others. He took part in the project of Ton Koopman and the Amsterdam Baroque Orchestra & Choir to record Bach's complete vocal works. In opera, Prégardien has made stage appearances in major European houses, performing leading roles as Tamino, Don Ottavio, Tito, Count Almaviva, Fenton, and Monteverdi's Ulisse. Prégardien is also an educator. From 2000 to 2005, he was in charge of a vocal class at the Hochschule für Musik und Theater in Zurich. Since the autumn of 2004, he has been a professor at the Hochschule für Musik Köln. Among his students is Ulrich Cordes. His son, Julian Prégardien (b. 1984), is also a tenor. In 2018, Christoph Prégardien recorded his first cd as a baritone singer, performing cantatas by Bach and Telemann.[1]"; Wikipedia