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Rebus

Petak, 4. oktobar 2024. u 20:00, Studentski kulturni centar 33. Међународна трибина композитора Ogledala: muzički svet Srđana Hofmana Povodom 80 godina od kompozitorovog rođenja Posvete REBUS for flute, violoncello and piano Marko Sretenović, flauta Srđan Sretenović, violončelo Neda Hofman Sretenović, klavir “The solution of a given riddle appears as a fact of an unexpected significance, and as a notion that is not only the consequence of the sum of simple pictures, symbols and signs that a rebus contains. Transposition of this idea into the region of music means the establishing of logic of the musical shaping as well as taking into consideration the perceptive abilities of a listener. Thereby, all the results are equally 'accurate'.” Srdjan Hofman I used professor Hofman's own comment of his piece Rebus to create a new work. Therefore, another REBUS with the result which is equally accurate. The form of this piece develops on the ground of a tritone interval (H-F) which is present as a base throughout the composition. On this base, two series of tones are built, as two hexacords derived from the name 1. 2. 3. 4. 5. 6. S R D J A N Eb d Db g a c (c#) (7. 8. 9. 10. 11. 12.) 1. 2. 3. 4. 5. 6. H O F M A N Using the principles of dodecaphony, two series appear in their original form, but also in retrograde, inversion, and retrograde inversion. Between the occurences of these series, parts of the base sometimes 'modulate, the tones of the tritone interval are changed, or different intervals and chords appear. The piece is written in the memory of professor Sran Hofman, and it is dedicated to the family Hofman-Sretenovic.