Скачать с ютуб Should You Shoot in ProRes RAW? 12-Bit RAW vs. 10-Bit XAVC S-I Codecs Compared on the Sony FX3 в хорошем качестве

Should You Shoot in ProRes RAW? 12-Bit RAW vs. 10-Bit XAVC S-I Codecs Compared on the Sony FX3

The question isn't why you should use ProRes RAW, but instead, when. In 2024, many cameras support outputting a RAW signal (like my Sony FX3), the question is when you should use it in an artful manner. In this short video, I compare clips from multiple shoots, each captured in XAVC S-I (Sony's H.264 intra-frame compressed internal codec) to ProRes RAW recorded externally from my Ninja Ultra. The results might surprise you. Both are equally great codecs, but RAW wins out in difficult situations. — Music from Musicbed; Get 1 Month Free with Link: https://www.musicbed.com/invite/m3BCI Camera: Sony FX3 Lens: Sony 24-70mm GMaster II Filter: Nisi 1-5 VND Recorder: Atomos Ninja Ultra Software: Final Cut Pro X Color: Sony SLog3.Gamut3/ProRes Raw/Fictive Flame Grade Directed, Shot, and Graded by: Nicholas Young