Скачать с ютуб Bali's Amazing, Interlocking Gamelan Music - feat. Nata Swara & KOBRA в хорошем качестве

Bali's Amazing, Interlocking Gamelan Music - feat. Nata Swara & KOBRA

Bali's many genres of gamelan music push the boundaries of group virtuosity. (Youtube won't let me turn off ads until I have 3,000 hours of views, and I don't get any of the money either, sorry.) CHAPTERS: 0:00 - Introduction 2:53 - Instrument: The Gangsa 4:05 - Interlocking Patterns 7:37 - All About That Bass: Gong Cycles 9:58 - Ombak: Tuning Instruments Out of Phase 11:32 - Balinese Group Nata Swara Shredding 14:00 - Rare Angon (KOBRA) Performing on their 7-Tone Semaradana 16:25 - Credits and Thanks Using animations to illustrate some of their complex interlocking patterns, this video focuses on the genre known as Gamelan Gong Kebyar, with excerpts from the groups Sanggar Nata Swara and Komunitas Budaya Rare Angon (KOBRA). EDIT REGARDING THE WORD "KEMPLI": I wrongly used the term "kempli" in this video. In a conversation with my friend I Putu Arya Deva Suryanegara, it was explained to me that KAJAR is the correct term, not KEMPLI, although kempli is prominent in Western literature. Kajar is the small muted gong providing short, regular punctuations to the beat. In contrast, kempli is a variation using a muted gong for "offbeats" only. ------------------------------------------- Banyak jenis gamelan Bali mendorong batas-batas kemampuan musik. Video ini menggunakan animasi supaya menjelaskan kotekan Gong Kebyar, dengan rekaman dari Sanggar Nata Swara dan Komunitas Budaya Rare Angon (KOBRA). SUNTING TENTANG KATA "KEMPLI": Saya bilang "kempli" di video ini, tapi itu salah. Di buku-buku Amerika, "kempli" adalah umum, tapi teman saya I Putri Deva Surynegara mengajar saya bahwa kajar adalah kata yang lebih baik, dan "kempli" adalah berbeda. ------------------------------------------- Video, script, narration, editing, and animations by Augustine Esterhammer-Fic A big thank you to / Terima kasih banyak: Sanggar Nata Swara   / sanggarnataswara   Komunitas Budaya Rare Angon   / komunitas_budaya_rare_angon   Septana Jagaraga    • Видео   Pak I Gusti Ngurah Kertayuda & Indonesian Dance of Illinois for the use of instruments, samples, support and knowledge Pak I Dewa Berata of Gamelan Çudamani for information on older footage Stephen Malinowski for development of Music Animation Machine software: https://www.musanim.com/Player/ YIP Chi Lap [BETA] for allowing me to adapt instrument icons from his program: https://gamelan.emacsian.com/Home.html Oscar Smith for introducing me to both of the groups featured in this video:    / @oscarmsmithmusic   Arya Deva Suryanegara for consultation on Balinese translation and pronunciation:    / @aryadeva95   And for always being available for input and advice: Nyoman Usadhi (Mang Gus), Michael Tenzer, and Wayne Vitale. Patreon for supporting future episodes and projects: www.patreon.com/esterhammerfic -------------------------------- Music notes / catatan musik: Hita Stuti composed by I Putu Adi Septa Suweca Putra Kebyar Ding composed by I Madé Regog Jaya Semara composed by I Wayan Beratha Teruna Jaya composed by I Gede Manik & Pan Wandres Kebyar Perak composed by I Wayan Gandera Photos from Colin McPhee's Music in Bali ------------------------------ Note on terminology: Bali's musical terms are regionally diverse, and while I don't want to show favoritism toward any specific set of terms, the video already contains a lot of vocabulary for newcomers. For clarity, I deferred to the terms used in Michael Tenzer's book, Gamelan Gong Kebyar (2000), because they seem to have generally neutral application in Bali.