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Bach - Canon perpetuus super Thema Regium from The Musical Offering BWV 1079

The Musikalisches Opfer is a special collection of chamber music within the work of Johann Sebastian Bach, written for Frederick the Great of Prussia. Musikalisches Opfer means ‘a musical offering’, and that is precisely how the collection originated. In May 1747, Bach was introduced to Frederick, who had heard that Bach was a great improviser and asked him on the spot to improvise a fugue on a given theme. According to the sources, Bach made a brilliant job of it and showed such enthusiasm about the ‘royal theme’ that he promised to have the fugue engraved ‘on copper’ and printed. No sooner said than done. Two months later, Bach published a series of compositions: a trio sonata, a three-part and a six-part ricercar and ten canons, all inspired by the king’s theme. The canons in the Musikalisches Opfer are a sort of visual music. Bach wrote them like puzzles, which the player must first solve in order to play them correctly. In these recordings, we wanted to give a literal picture of this ‘visual music’. So for example, wherever a part is doubled, the player will be in view twice. And where a part is mirrored, then the player appears in a mirror too. First let’s look at the title of this canon. It is ‘perpetuus’ (perpetual) and ‘per thema regium’ (on the royal theme). Nearly all canons can be repeated endlessly, but Bach may have specifically referred to it here because there is no ‘logical’ ending to this piece. The canon is notated on two staves, with the royal theme above and the counterpart on the stave below with two keys at the beginning: one treble clef and one bass clef. A sign indicates when the lower part (played in this case on a Silbermann fortepiano) can double itself. So that’s why we see Leo van Doeselaar playing twice on the same instrument. Mieneke van der Velden plays the viola da gamba. Recorded for the project All of Bach on July 6th 2020 at the Concertgebouw, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel http://bit.ly/2vhCeFB and consider donating http://bit.ly/2uZuMj5. We thank MWH4impact foundation for their generous support of this recording. MWH4impact aims to achieve social and cultural impact and joins the Netherlands Bach Society in their mission Bach for All. This version of the Musikalisches Opfer demonstrates the impact of innovation on our musical experience. It’s a work of art that matches the goals of MWH4impact. For the complete playlist of The Musical Offering BWV 1079 go to    • The Musical Offering   For more information on BWV 1079 and this production go to http://allofbach.com/en/bwv/bwv-1079-10/ All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material https://www.bachvereniging.nl/en/allo.... For concert dates and further information go to https://www.bachvereniging.nl/nederla.... Mieneke van der Velden, viola da gamba Leo van Doeselaar, fortepiano Instrument (fortepiano): Thomas and Barbara Wolf, 1997/1998 after Gottfried Silbermann, 1746