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Groβe Serbischer Nationalmarsch + Die jungen Wiener (The Young Viennese) Walzer Op. 7 1st & 2nd vers

Johann Strauβ BICENTENNIAL CELEBRATION (1825-2025) 祝生誕２００年 Johann Strauss II (1825-1899): Groβe Serbischer Nationalmarsch (Great Serbian National March セルビア国民大行進曲) [WORLD PREMIÈRE RECORDING] + Die jungen Wiener (The Young Viennese ウィーンの若人) Walzer Op. 7 1st & 2nd versions Groβe Serbischer Nationalmarsch (Nationalmarsch (Great Serbian National March セルビア国民大行進曲): 1st Performance: January 22, 1845 – STRAUSS Benefit Concert (Ball) at Dommayer’s – performed by the Strauβkapelle conducted by Johann Strauss II [per Mike O’Sullivan JSSGB] Source: 1st edition Piano Score published by H. F. Müller, Wien Plate no. 176 (3.1.1847) [Courtesy of Norman Godel JSSGB] Performed by Dr. Taka S. Otagawa (The Pianist) https://drive.google.com/file/d/1Ua5y... Recorded (10.17.2024) at his Residence in Gallatin, Tennessee Equipment: TOYO A-25 Grand Piano 5’8” (hand-built in 1982 using some European parts applying Japanese high-quality craftsmanship, A pair of SHURE PG-81-XLR Cardioid Condenser Instrument Microphones Alesis Mncube Duo (Tube Based Microphone Preamplifier) TASCAM (TEAC) CD-RW900SL Professional CD Recorder Die jungen Wiener (The Young Viennese ウィーンの若人) Walzer Op. 7 - 1st & 2nd versions 1st Performance (1st version): January 22, 1845 – STRAUSS Benefit Concert (Ball) at Dommayer’s – performed by the Strauβkapelle conducted by Johann Strauss II Sources: 1st edition Piano Score (1st version) published by Pietro Mechetti, Wien Plate no. 4037 (10.30.1845) Strauβ Edition Wien Score 1 10A 007 W (1st & 2nd versions) Bars 33-54 of the Introduction and Bars 15-16 of the Waltz 3A of the 1st version are performed and recorded (10.20.2024) by The Pianist The Orchestral performance (2nd version): Courtesy of Otto Schulz-Biedermeier Orchestra (1950s) After his successful début at Dommayer’s Casino in Hietzing on October 15, 1844, the young Johann II became aware that his greatest SUPPORT would come from the youthful Viennese society of the minority communities (Bohemians [Czechs], Serbs, Slavs and Poles), in particular SERBs. [Today, the Serbs in Vienna are the largest ethnic minority group in Vienna. The 1st wave of Serbs to Austria began in the early 19th century. ] To that end, at his 1st benefit concert (ball) in Dommayer’s Casino on January 22, 1845, the 19-year-old Johann Strauss II presented his tactically-entitled: “Groβe Serbischer Nationalmarsch (Great Serbian National March セルビア国民大行進曲)” and ”Die jungen Wiener (THE Young “minority” Viennese ウィーンの”少数民族”の若人) Walzer Op. 7”. In addition, three (3) more “original” pieces were also presented: “Amazonen Polka op.9 https://zz123.com/en/play/aazzvaz.htm , “Aniela-Mazurka” (unpublished and lost) and “Elfen (Elves) Quadrille op.16”.    • Johann Strauss Op.16 Elfen-Quadrille ...   The 1st theme of the Trio B of “Groβe Serbischer Nationalmarsch (Great Serbian National March セルビア国民大行進曲)” features a popular Croatian folk song: “Tamburica sitnim glasom udarase (The tambourine strikes with a small voice)”.    • Tamburica Sitnim Glasom Udaraše   A year later Johann II used the same theme in the 4A of “Serben Quadrille op.14” (1.28.1846 Serbenball – Goldene Birn).    • Serben, Op. 14: Serben-Quadrille, Op. 14   2.5 years later Johann II used the theme of the Trio A of “Serbischer Marsch” in the 6B (Finale) of “Alexander Quadrille op.33 (Serben Quadrille Nr. 2) (6.16.1847 Serenade in Wien).    • Alexander-Quadrille, Op. 33   The Waltz 1 of “Die jungen Wiener (The Young Viennese ウィーンの若人) Walzer Op. 7” is written in the key of “E major”, which was the FATHER Strauss (Johann I)’s a favorite key (who wrote 29 (!!!!) Waltzes in this key, while Johann II wrote just 7 Waltzes in E major). The main difference between the 2 versions is in the Introduction. For the orchestral parts (2nd version) Johann II “deleted” 22 bars of the original Introduction!! Also, the double-8th notes ♫ in Bar 15 of the Waltz 3A are changed from “D-B” (1st version) to “B-C#” (2nd version).