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In this exclusive podcast with Anupama Chopra, filmmaker Dibakar Banerjee talks about LSD 2, Tees being shelved by Netflix, the impact filmmakers like Anurag Kashyap, Vikramaditya Motwane and him have had on shaping the Hindi cinema in the last decade. He delves into the processes involved in casting the actors for Love Sex Aur Dhokha 2, and what makes him chase his brand of cinema. We ask the filmmaker about his relationship with Ekta Kapoor and what defines their working relationship. #DibakarBanerjee #LSD2 #LoveSexAurDhokha2 00:00 - In conversation with Dibakar Banerjee 00:45 - How IS Dibakar? 03:27 - The fresh new hell he is about to put us into 06:42 - How does Dibakar decide on the stories he wants to tell? 09:14 - Dibakar auditioning actors 12:20 - Landing at Bigg Boss with Ekta Kapoor 13:43 - How does the relationship with Ekta work? 15:40 - The look of LSD, and the designing of the same 18:00 - The out-of-the-box cinematography of LSD and LSD2 20:46 - The one family story surrounding Dibakar’s film, and accompanying reactions 23:30 - “LSD 2 is 5 minutes into the future” 23:55 - Dibakar’s sense of where the streaming world is at, right now? 25:42 - The audience having his back 26:51 - Changing what Hindi Cinema felt like, sounded like Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On: / filmcompanion / filmcompanion / filmcompanion About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.