Скачать с ютуб Embracing The Laughter Riot With Kunal Khemmu, Pratik Gandhi, Avinash Tiwari, Divyenndu, Nora Fatehi в хорошем качестве

Embracing The Laughter Riot With Kunal Khemmu, Pratik Gandhi, Avinash Tiwari, Divyenndu, Nora Fatehi

In this conversation with Suchin Mehrotra, the cast of Madgaon Express - Pratik Gandhi, Divyenndu, Avinash Tiwary, and Nora Fatehi - along with director and producer Kunal Kemmu and Ritesh Sidhwani take us onboard this delightful and humorous ride. Besides discussing their on-set experiences of sharing the friendliest of bonds, they delve into how each of them prepped for the film, and what made Excel Entertainment invest in a project as off-beat as this. They also spill some beans on the idea of developing a sequel and if Dodo, Pinku, and Ayush would set foot into Las Vegas this time around. #MadgaonExpress #KunalKemmu #PratikGandhi #NoraFatehi 00:00 - On-board the Madgaon Express with the cast and crew 01:51 - How have the last few days been like, for team Madgaon Express? 02:39 - Weirdest piece of direction the cast heard from Kunal 03:45 - What were their favourite gags in the film? 06:39 - Did Dodo imagine what conversations Nisha must’ve had with Ayush (spoilers) 08:18 - The toughest scene to shoot, one which found everyone cracking up 10:24 - Pratik pulling off the drugged scenes 15:26 - Ritesh and Kunal on producing/directing a “comedy film” after a long time 21:30 - Raj and Dk’s message for Kunal 24:20 - Gags they loved, but didn’t make to the Final Cut 26:19 - The cast answers what’s the best and worst part of being directed by an actor 30:54 - Audience QnA Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.