Скачать с ютуб Review Demo - Ernie Ball Music Man St. Vincent Signature в хорошем качестве

Review Demo - Ernie Ball Music Man St. Vincent Signature

Read the review: http://bit.ly/EBMMStVincent It’s no secret that many “artist signature” guitars aren’t all that different from a company’s stock models. Jigger with surface cosmetics, maybe tweak the electronics a bit, and voilà — you’ve got a “new” model to sell at an upmarket price. Music Man’s St. Vincent is nothing like that. Designed top to bottom by Annie “St. Vincent” Clark with help from the Ernie Ball/Music Man lutherie team, the instrument is as bold, imaginative, and thoughtful as Clark’s extraordinary guitar work. The St. Vincent’s angular, geometric body is unapologetically Modernistic—and that’s upper-case “Modernistic” in the mid-20th-century-design sense. Guitar history geeks will probably flash on 1957/1958, when Gibson created the Flying V, Explorer, and Moderne. Designed by visionary Gibson honcho Ted McCarty, these instruments (along with 1963’s Ray Dietrich-designed Firebird) aimed to update Gibson’s then-stodgy image with a bit of Fender’s space-age panache. Click to the continue reading the review: http://bit.ly/EBMMStVincent