Скачать с ютуб Igor Kipnis (harpsichord) The virtuoso Händel в хорошем качестве

Igor Kipnis (harpsichord) The virtuoso Händel

Igor Kipnis, harpsichord: George Frideric Handel (1685-1759) The harpsichord used in this recording was made by the workshop of Rutkowski & Robinette, New York, 1970, and is patterned after, but not a copy of the largest instruments made by the Hass family in Hamburg in the mid-18th century. Released 1982 Elektral Asytum Record. for the United States and WEA 79037 Producer: Eric Salzman Assistant Producer: Susan Herl-Conroy Recorded September 1981 at 5t. Matthews Church, Wilton, Connecticut Nonesuch Records would like to express its appreciation to the Rector and staff of the church for their help and cooperation. Engineering and JVC Digital equipment by Frank Dickinson. Dickinson Digital. Mastered by Jack Hunt, JVC Cutting Center Production Coordinator: Elise Keen Art Direction: Ron Coro, Norm Ung Design: John Barr Portrait by Tumer after Hogarth Reproduced by courtesy of the Trustees of the British Museum. Photography: Jeremy Kipnis Director: Keith Holzman Bought at Concerto, Amsterdam with a stanced hole in the cover, the 29th of June 2017 (€ 2,-) SIDE ONE l.Lesson in B flat Major (Book II) (HWV 434) 850 00:00 I. Prelude 01:54 II. Sonata 03:39 III. Aria con variazioni 07:45 IV. Menuet 09:34 2.Sonata in G Minor (Larghetto) (HWV 580) 1'51 11:25 3.Sonatina in G MinoT(A tempo giusto)(HWV 583) '40 4.5uite No.5 in E Major (Book l) (HWV 430) 13'36 12:12 I. Prelude 14:24 II. Allemande 19:10 III. Courante 21:12 IV. Air & Variations ("The Harmonious Blacksmith") SIDE TWO 25:57 1.Prelude and Allegro in A Minor (HWV 576) 2'24 28:28 2.Fantasia in C Major (HWV 490) 4'23 3.5uite No.8 in G Major (Book II) (HWV 441 ) 18'03 32:57 I. Allemande 35:04 II. Allegro 37:40 III. Courante 41:05 IV. Aria (Presto) 42:30 V. Menuetto 46:11 VI. Gavotla & Double 49:14 VII. Gigue The harpsichord used in this recording was made by the workshop of Rutkowski & Robinette, New York, 1970, and is patterned after, but not a copy of the largest instruments made by the Hass family in Hamburg in the mid-18ti] century. Harpsichord disposition: lower manual: 16' quill (not utilized). 8' leather, 8' quill, 4' quill, harp stop; upper manual: 8' quill; manual coupler. (The 16' instrument is independent of the basic harpsichord both mechanically and acoustically and can be disconnected when not in use.) The tuning used is well temperament as opposed to equal temperament, which carne into use only in the 19th century. In equal temperament, all the keys have the same neutral quality. In well temperament, all the keys are usable, but each key has its own characteristic color, ranging from smooth in the primary keys to very brilliant in the remote keys. #RutkowskiAndRobinette #IgorKipnis