Скачать с ютуб Tomaso Albinoni - Concerto A Cinque In G Minor, Op. 9 No. 8 в хорошем качестве

Tomaso Albinoni - Concerto A Cinque In G Minor, Op. 9 No. 8

Tomaso Albinoni - Concerto A Cinque In G Minor, Op. 9 No. 8 (Composed By: Tomaso Albinoni) The Adagio in Sol minore per archi e organo su due spunti tematici e su un basso numerato di Tomaso Albinoni (Mi 26), also known as Adagio in G minor for strings and organ, is a neo-Baroque composition commonly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work. The composition is often referred to as «Albinoni's Adagio» or «Adagio in G minor by Albinoni, Arranged by Giazotto». The ascription to Albinoni rests upon Giazotto's purported discovery of a manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata. According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection, though its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708. In his account, Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958 under a title which, translated into English, reads «Adagio in G minor for strings and organ, on two thematic ideas and on a figured bass by Tomaso Albinoni». Giazotto never produced the manuscript fragment, and no official record has been found of its presence in the collection of the Saxon State Library. The piece is most commonly orchestrated for string ensemble and organ, or string ensemble alone, but with its growing fame has been transcribed for other instruments. Remo Giazotto (4 September 1910, Rome – 26 August 1998, Pisa) was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Antonio Vivaldi. Giazotto served as a music critic (from 1932) and editor (1945 – 1949) of the Rivista musicale italiana and was appointed co-editor of the Nuova rivista musicale italiana in 1967. He was a professor of the history of music at the University of Florence (1957 – 69) and in 1962 was nominated to the Accademia Nazionale di S. Cecilia. In 1949, Giazotto became the director of the chamber music programs for Italian state broadcaster RAI and in 1966 was appointed director of its international programs organized through the European Broadcasting Union. He was also the president of RAI's auditioning committee and editor of its series of biographies on composers. The famous Adagio in G minor, the subject of many modern recordings, which Remo Giazotto claimed to have transcribed from a manuscript fragment of an Albinoni sonata that he had found in the Saxon State Library is thought by some to be a musical hoax composed by Giazotto. However, a discovery by musicologist Muska Mangano, Giazotto's last assistant before his death, has cast some doubt on that belief. Among Giazotto's papers, Mangano discovered a modern but independent manuscript transcription of the figured bass portion, and six fragmentary bars of the first violin, «bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken». This provides support for Giazotto's account that he did base his composition on an earlier source. In 1958, the work was copyrighted by Giazotto. Tracklist: 7 – Allegro - 4:22 8 – Adagio - 2:19 9 – Allegro - 3:52 Album: I Musici, Heinz Holliger - Concerti Per Oboe (Albinoni Cimarosa Marcello Sammartini Lotti) Credits Oboe, Oboe d' Amore: Heinz Holliger Orchestra: I Musici Notes ℗ 1987 Label: Philips – 420 189-2 Series: Philips Digital Classics Format: CD, Album Country: Europe Released: 1988 Genre: Classical Style: Baroque, Classical DISCLAIMER: I do not make any profit from this video. No copyright infringement intended. All rights belong to the respective artists and the record companies. It is uploaded for educational and promotional purposes only. I do not own, nor claim to own anything contained in this video.