Скачать с ютуб Ignaz Reimann (1820-1885) - Lauretanische Litanei в хорошем качестве

Ignaz Reimann (1820-1885) - Lauretanische Litanei

★ Follow music ►   / reciclassicat   Composer: Ignaz Reimann (1820-1885) Work: Lauretanische Litanei Performers: Rosemarie Niemann (sopran); Hildegard Jonen (alt); Alfons Jonen (tenor); Karl Josef Heppekausen (bass); Kirchenchor und Streichorchester 'St. Bartolomäus' Urbach/Elsdorf; Peter Wieners (orgel) Painting: Caspar David Friedrich (1774-1840) - Sunset Brothers (c.1833) Image in high resolution: https://flic.kr/p/rhHQ7h Further info: https://www.cpdl.org/wiki/index.php/I... Listen free: No available --- Ignaz Reimann (Albendorf, 27 December 1820 - Regensdorf, 17 June 1885) German composer. He received early lessons from his father, who was an innkeeper and musician in the Silesian Marian pilgrimage site Albendorf. His school teacher, also a local cantor, noticed his musical talent and trained him to play the organ. From 1838 to 1841 he attended the Catholic school seminar in Breslau. There he came into contact with the so-called Breslau School, founded by Joseph Ignaz Schnabel as a composer. Joseph Ignaz Schnabel's nephew Joseph Schnabel, music director and cathedral music director, gave his pupil the post of music director in the seminary thanks to his outstanding musical skills and achievements. After completing the seminar, Reimann worked for two years as an assistant teacher in Niederhannsdorf near Glatz. In 1843 the Rengersdorf schoolmaster and cantor brought him to his school. After the schoolmaster death in 1852, Reimann took on the dual role of headmaster and cantor. While he had already composed smaller church music works since his time in Wroclaw, a fruitful creative period began as a Rengersdorf cantor. In 1884 Reimann suffered a stroke that partially paralyzed his right arm. He applied for his retirement, which was granted on July 1, 1885. Three days later, he suffered a second stroke that resulted in death two weeks later. As a composer, he wrote about 400 works, mainly sacred and all primarly for his own use. Easy, but pleasing works with a sense for melodic for choirs and orchestras, that are not able to perform difficult works. This made his works in his time widely spread and they were loved bis singers and directors. His son Henry Reimann (1850-1906) was also a teacher and composer.