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This is such a display of craftsmanship and unparalleled control over laya. Raghu sir keeps playing an 8 as 3+3+2 quite beautifully and then transposes the pattern to 3 aksharams after the first dhrutham in the avarthana. This shift happens with an 11 (3+4+4) that's placed and played with an element of surprise. Then he continues the 8 as 3+3+2 again but this time in an offbeat fashion and then takes the theermanam from there. The theermanam itself is a beautiful porutham of 7(3+2+2), 7, 5(3+2) for 1.5 edam (6 aksharams after the samam). All of this is crafted so beautifully and seamlessly along with the typical 'Raghu' tonal quality. The reactions on the faces of Trivandrum Balaji, Abhishek Raghuram, Chitravina Ravikiran and Akkarai Subbalakshmi speak a 1000 words about this laya experience. 'This is real Pamara-Panditha ranjakam' is the way a dear friend responded to this magical clip. The song being played is pAlintuvO in kAnthAmaNi by Tyagaraja set to Adi Thalam. Uploaded for the sheer joy of sharing!