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When code becomes image: tapping the digital black box for signs of life

When code becomes image: tapping the digital black box for signs of life James Irwin (Contemporary Art Research Group, Kingston School of Art) Presented at the 2nd Symposium on Digital Art in Ireland, University College Cork, June 2024 Download the Abstract from CORA: https://hdl.handle.net/10468/15887 JAMES IRWIN is an Artist, PhD researcher at Kingston School of Art, Lecturer at UAL and Digital Media Tutor at the Royal Academy Schools. He works with web technologies, AI systems and digital sound and image to investigate the notion of a vital life force inherent within digital media. Web projects include surfacecollider, New Art City Festival 2023, newart.city (2023), To Spawn a Door in the Land of Broken Mirrors, New Art City Festival 2022, newart.city (2022), You’re in a Computer Game, Max!, skelf.org.uk (2020), SurfaceCollider (23032020), www.annkakultys.com (2020), and Could Ecopsychology cure my Cyberchondria, spaceinbetween.co.uk (2016). Solo exhibitions include Listening to Xanax, Gossamer Fog, London (2018), Binary Translations, Space In Between, London (2013) and Hopeless Communication, Space In Between (2011). Group exhibitions include The Terminal: Human Shaped Whole, Anonymous Gallery, New York (2021), Terms and Conditions May Apply, Annka Kultys Gallery, London (2018), Home Alone, Dateagleart, London (2018) and How the mind comes to be furnished, Space In Between (2016). The 2nd Symposium on Digital Art in Ireland is a collaboration between Sample-Studios and the Department of Digital Humanities and Future Humanities Institute, University College Cork. #digitalart #samplestudios #digitalhumanities #aiart #symposium