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Mostar - Muzej bosanske kulture i historije Bosnaseum ("Museum of Bosnia") is located in the central area of the Old Town Mostar, entered the UNESCO World Heritage List in 2005. Bosnaseum is located approximately opposite the Koski Mehmed Pasha Mosque on the Kujundžiluk pedestrian street along which is the Old Bazaar at a few steps from the Old Bridge (Stari Most), the emblem of the city. It is called Museum, but Bosnaseum is a living presence intended primarily for tourists (foreigners) who do not want something complicated and very erudite, but want to understand something about the multicultural world and with such a strange history of Mostar. The museum was opened in 2007 through a private initiative based on exhibits by Dragan Mučibabić, a great collector and having Haris Đonko as director. The museum space is divided into 12 + 1 "rooms" and which in the order in the video illustrates: 1 - Antiquity, 2. The Ottoman period (1468-1877), 3. The Austro-Hungarian period (1878-1918); living rooms specific to the 3 main ethnic groups, 4.- Bosnian (Muslim) room , 5.- Croatian (Catholic) room, 6. Serbian (Orthodox) room . The line of traditions continues with a room (7.) with the traditional costumes of the three ethnic groups (10 pairs) and the room of traditional crafts (8.). Of the latter, specific to Mostar and which brought his fame in the Ottoman Empire (but also today) is the decoration of copper and precious metals. Specific to Islamic culture we see calligraphy (artistic writing of verses from the Qur'an). A model (9.) of a village in Herzegovina (with the mosque sitting next to the church), Mostar being the historical capital of Herzegovina, completes the traditions. We go to the contemporary period and see (10.) the Socialist Federal Republic of Yugoslavia (1945-1991) from the time of the communist leader Josip Broz Tito (1892-1980). The break-up of the Yugoslav federation (1991) and then the secession of Bosnia and Herzegovina in 1992 led to a terrible civil war (1992-1995) in which Mostar experienced two periods of siege: in 1992 by Bosnian Serb paramilitary formations, and in 1993 by Croatian militias. The civil war is exemplified by the photographs in room (11.) which illustrate the “urbicide” (destruction of the city) and a profoundly dramatic reconstruction of street fighting (room 12.). But life goes on and we end up visiting the museum with the room (13) of oil paintings by local artist Ibrahim Novalić.