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Tapasya episode 54 - Patience pays - Sridevi Nrithyalaya - Bharathanatyam Dance

Tapasya episode 54 - Patience pays In the last 34 years of my teaching experience, I have witnessed how, many students give up half way and only a few students sustain, no matter at what pace they progress. I'm very happy to notice the growth and confidence of some students who have been learning the basics for almost 6 to 8 years at SDN, now presenting a challenging piece from our thematic presentation PARAM recently on stage. Sheela Unnikrishnan 0:00 Introduction 1:36 Pillai Tamizh Swarajathi 12:38 Conclusion Pillai Tamizh Swarajathi from SDN's thematic presentation "PARAM - the Ultimate" Swarajathi is a component in Carnatic music, which is usually performed in the beginning of a concert. The themes of Swarajathis revolve around bhakthi, love or courage. This particular Swarajathi in SDN's PARAM, a thematic presentation in Bharathanatyam, describes the birth and growth of Mother Goddess in Madurai, a famous city in Tamil Nadu, where the language Tamizh is believed to be patronized by the Gods. The unique feature of this Swarajathi, is the lyrics, which are composed adapting the pattern of Pillai Tamizh from Tamil literature. Pillai Tamizh describes the various stages of a child from infancy to the age of 10 viz., Kaapu, Sengeerai, Thaala, Sappaani, Muththam, Varugai, Ambuli, Ammaanai, Neeraadal and Oosal. These have been intricately woven into soothing lyrics, caressing Mother Goddess who became the Princess of Pandiya clan. Mother Goddess is born as Meenakshi in Madurai. Let us pray to the almighty to protect the just born, who is as tender as a sapling. Let us sing lullabies for our beloved baby and fondle our little flower to make her clap her hands. We shall nuzzle her for a kiss and snuggle her to make her come to us. Oh! We shall indeed command the moon to play with the child, and we shall take the pride of describing the charm of her playing around. Let us get drenched in the happiness of bathing her and let our hearts swell by her delightful swinging. Pillai Tamizh Swarajathi set in ragam Suruti and Adi talam, music composed by Sri Kuldeep M. Pai and lyrics penned by Sri Padmadevan. Credits: Choreography - Dr. Sheela Unnikrishnan Vocal - Dr. Kuldeep M Pai Mridangam - Dr. Guru Bharadwaaj Violin - Sri Embar Kannan Flute - Sri Vishnu Vijay Veena - Sri Bhavani Prasad Dancers: Baby Meenakshi - Aaradhya Nandhagopal Second Meenakshi - Thendral Third Meenakshi - Ketana Sharada Sumedha V. R. M. Ineya Sivapriya Harini Balasubramaniam Tanvi Adige Ananya M. J. Emma Nicholson Tapasya - the training sessions, is a series of videos that will be published on a monthly basis (as episodes) on the last day of every month. The students featuring in Tapasya series have about 6-8 classes every month. Each episode of Tapasya is a cumulative overview of what is taught to them during the course of the month. Along with the training sessions of the children, Tapasya also holds inputs on teaching techniques from Smt. Sheela Unnikrishnan and useful tips from the regular performers of Sridevi Nrithyalaya. Contact - [email protected] Other related videos: Tapasya - the practice series (Episodes 1 to 54)    • TAPASYA - SDN training sessions   Praarambham - Learn Melattur style basics ONLINE    • Praarambham - Learning Melattur style...   Our copyright policies on SDN's productions Since SDN is run by SRIDEVI NRITHYALAYA TRUST, all the productions of SDN, be it music or dance, become intellectual property of the Trust. Sridevi Nrithyalaya Trust (SDNT) owns all the productions and will not allow anyone to download or use SDN videos/audios, even it is meant to be for non-commercial purpose. Our social media team, assisted with a legal team, watchfully works in curbing audios/videos of Sridevi Nrithyalaya that have been used in unauthorized way and uploaded in social media. Though we do not put up copyright declarations in all our videos, we strictly adhere to legal formalities and procedures regarding copyrights. We honestly work hard and spend a good time and amount of our resources to produce our music and dance videos. They are produced and uploaded in our social platforms solely to take our art to all those raiskas around the globe who are unable to reach us in person to enjoy SDN's art live. It is not about 'misuse' or 'trying to support' our dance and audio productions by just giving credits. Art is for all for sure. Our productions uploaded in social platforms are for the art lovers worldwide to WATCH and ENJOY but definitely not for copying or reproducing without SDNT's authorisation. SDNT has unanimously derived to this strong conclusion. Therefore, SDN or any individual from SDN would be not to able to grant anyone permission to reproduce our work of any form.