Скачать с ютуб Ramsey Lewis - Function at the Junction (restored 1967 jazz vinyl LP) в хорошем качестве

Ramsey Lewis - Function at the Junction (restored 1967 jazz vinyl LP)

"We build too many walls and not enough bridges." - Isaac Newton From the album Goin' Latin, a studio jazz LP with Latin percussion and style by Ramsey Lewis which was released on Cadet Records in 1967. The album reached number 2 and number 16 on the Billboard Black and Jazz Albums Charts. Cleveland Eaton - Bass Ramsey Lewis - Piano, Keyboards Maurice White - Drums Doug Brand - Supervising Engineer Don Bronstein - Photography Brian Christian - Engineer Esmond Edwards - Producer, Adaptation, Supervisor Richard Evans - Arranger Tom Gorman - Cover Design Hollis King - Art Direction Erick Labson - Mastering Andy McKaie - Reissue Supervisor Shigeo Miyamoto - Mastering Cameron Mizell - Production Coordination Isabelle Wong - Design Thom Jurek of AllMusic Review writes, "on this set are Lewis' killer version of "Function at the Junction," with big brassy horns playing the intro filled by congas before the trio enters with its trademark funky soul-jazz where gospel, blues, and jazz all meet on the corner and clap their hands." https://www.allmusic.com/album/goin-l... Ramsey Emmanuel Lewis Jr. (born May 27, 1935) is an American jazz composer, pianist and radio personality. Lewis has recorded over 80 albums and has received five gold records and three Grammy Awards so far in his career. I do not own the copyright to the music, the recording and the photos. (Image post and video art were appropriated from the original album.) This video is posted for educational use under Section 17 U.S. Code § 107. Limitations on exclusive rights: Fair use. Hope you enjoy. INXDS. #latinjazz #jazzpiano #vinylrecord #quoteoftheday / All posts are rendered in old school using restored vinyl LPs. This channel does not use recordings from CDs. As much as possible, I attempted to remove most of the pops and crackles from the original vinyl album. Some remastering was applied to make the performance cut through within the confines of the loudness wars.