Скачать с ютуб मधुबाला की जिंदगी का ये राज़ कोई नहीं जानता ! Madhubala Condition в хорошем качестве

मधुबाला की जिंदगी का ये राज़ कोई नहीं जानता ! Madhubala Condition

Website Link :- https://evergreenbollywood.com/ Facebook Page Link....   / evergreenbollywood481   #madhubala #bollywoodupdates Madhubala (14 February 1933 - 23 February 1969; born Mumtaz Jehan Begum Dehlavi) was an Indian film actress who worked in Hindi-language films. She made her screen debut as a child artist with Basant (1942) and switched to lead roles with Neel Kamal (1947). Active between 1942 and 1964, she appeared in 74 films and received her only nomination for a Filmfare Award for Best Actress for her performance in the magnum opus Mughal-e-Azam (1960).[1] Known for her beauty and accomplished acting skills, she established herself as one of the most iconic and influential actresses of Indian cinema. After the release of her first film as lead-Neel Kamal (1947), Madhubala had her first commercial success with the social drama Lal Dupatta (1948) and breakthrough with the reincarnation thriller Mahal (1949). She went on to establish herself with starring roles in several films such as Dulari (1949), Beqasoor (1950), Nirala (1950), Badal (1951) and Tarana (1951). In 1951, she also caught the interest of Hollywood when ace photographer James Burke visited India and photographed her for Life Magazine. In their feature of her, Life, called her "the biggest star" in the international film industry. She was photographed extensively for this feature by Burke. Director Frank Capra was keen in giving her a break in Hollywood, but her father refused. Following a brief career setback, Madhubala made a comeback with Guru Dutt's highly successful satire Mr. & Mrs. '55 (1955). Her other notable films during this period include the thrillers Kala Pani (1958) and Howrah Bridge (1958), the romantic dramas Shirin Farhad (1956), Ek Saal (1957) and Phagun (1958), social dramas Insan Jaag Utha (1959) and Do Ustad (1959) and comedies Chalti Ka Naam Gaadi (1958), Jhumroo (1961) and Half Ticket (1962). Her highest-grossing releases came with the romantic musical Barsaat Ki Raat (1960) and the magnum opus Mughal-e-Azam (1960). She received her only nomination for a Filmfare Award for Best Actress for her performance in the latter. From the early 1960s, she began appearing in films infrequently. Jwala (1971), which was shot in the 1950s marked her last film appearance. Madhubala's private life received much attention. She was known for keeping low public profile, was not seen at parties and film premiers and rarely gave interviews. She had a long relationship with actor Dilip Kumar, but chose to marry her frequent co-star Kishore Kumar in 1960. Madhubala's life and career was cut short when she died in 1969 from a prolonged illness at the age of 36. Her beauty and comparison with Hollywood actress Marilyn Monroe eventually earned her the titles The Venus of Indian Cinema and Marilyn Monroe of Bollywood. Madhubala was born on 14 February 1933 as Mumtaz Jehan Begum Dehlavi, the fifth of eleven children in Delhi, British India (present day in India). Her parents were Ataullah Khan and Aayesha Begum. She had ten siblings out of whom only four survived to adulthood. Her father, Ataullah Khan belonged to the Yousafzai tribe of Pashtuns, and lived in Peshawar valley which includes the present-day regions of Mardan and Swabi, now in Pakistan, with his family.[6] After losing his job at the Imperial Tobacco Company in Peshawar, he relocated the family to Delhi and then Bombay. The family endured many hardships. Madhubala's three sisters and two brothers died at the ages of five and six. The dock explosion and fire of 14 April 1944 wiped out their small home. The family survived only because they had gone to see a film at a local theatre.[7] With his six remaining daughters to provide for, Khan, and the young Madhubala began to pay frequent visits to Bombay film studios to look for work. At the age of 9, this was Madhubala's introduction to the movie industry, which would provide financial help to her family.[8] Madhubala spoke her native language Pashto at home and was proficient in Urdu and Hindi. She couldn't speak a word of English but yearned to learn the language. She later took classes of English and became fluent in that language. Madhubala learned driving at the age of twelve and sometimes enjoyed long drives.