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Van Morrison - Veedon Fleece (1974) Part 2 (Full Album)

Track List: 5-7 5. Van Morrison - You Don't Pull No Punches, But You Don't Push the River (0:00) 6. Van Morrison - Bulbs (8:50) 7. Van Morrison - Cul De Sac (13:09) Part 1.    • Van Morrison - Veedon Fleece (1974) P...   Part 2.    • Van Morrison - Veedon Fleece (1974) P...   Part 3.    • Van Morrison - Veedon Fleece (1974) P...   Veedon Fleece is the eighth studio album by Northern Irish singer-songwriter Van Morrison, released on 5 October 1974. Morrison recorded the album shortly after his divorce from wife Janet (Planet) Rigsbee. With his broken marriage in the past, Morrison visited Ireland on holiday for new inspiration, arriving on 20 October 1973 (with his fiancée at the time, Carol Guida). While there he wrote, in less than three weeks, the songs included on the album (except "Bulbs", "Country Fair" and "Come Here My Love"). It has been compared to Astral Weeks (1968) with the same "stream of consciousness" lyrics but musically it is more Celtic, acoustic and heavily influenced by Morrison's Irish trip. It has been called a genuinely underground album that he seemed to disown quickly after recording and has been referred to as Morrison's "forgotten masterpiece" Veedon Fleece Review by Jason Ankeny: The final album of Van Morrison's remarkably prolific and innovative 1968-1974 period (followed by three years of silence), Veedon Fleece brings the singer full circle, returning him to the introspection and poignancy of Astral Weeks. Composed following his sudden divorce from wife Janet Planet and subsequent retreat from the U.S., the songs are subtle and Spartan, the performances deeply felt; though less tortured and cathartic than Astral Weeks, it's a record fraught with emotional upheaval, as evidenced by such superior moments as "Linden Arden Stole the Highlights," "Who Was That Masked Man," and "You Don't Pull No Punches, But You Don't Push the River." That said, this is one of those -- and there are several -- forgotten classics in the Morrison catalog. Because it followed hot on the heels of his universally acclaimed double live album It's Too Late to Stop Now..., released only a month previous, this effort, like its likewise unheralded -- but equally wonderful -- studio effort Hard Nose the Highway, which was issued only six months before, the album suffered from a lack of exposure because of saturation in the marketplace rather than any lack in quality. Veedon Fleece is every bit the creative equal of its more famous predecessors. With its elegiac tone and deeply autobiographical lyrics, this was a Morrison who didn't so readily associate himself with the feel-good, peace, love, and rhythm & blues sound American audiences were used to. If any album reflects a real period of transition for an artist, it's this one. It's brilliant. Personnel: Van Morrison – vocal, guitar Ralph Walsh – guitar John Tropea – guitar on "Bulbs" and "Cul de Sac" David Hayes – bass Joe Macho – bass on "Bulbs" and "Cul de Sac" Dahaud Shaar (David Shaw) – drums Allan Schwartzberg – drums on "Bulbs" and "Cul de Sac" Nathan Rubin – violin Terry Adams – cello James Rothermel – flute, recorder Jack Schroer – soprano saxophone James Trumbo – piano Jef Labes – piano on "Bulbs" and "Cul de Sac" Production: Producer: Van Morrison Engineers: Jim Stern, Dahaud Shaar (David Shaw), Jean Shaar, Elvin Campbell Photography: Tom Collins Art Direction: Ed Caraeff Arrangements: Van Morrison, Jef Labes (string and woodwind) Remastering: Ian Cooper, Walter Samuel