Скачать с ютуб Genesis - One For The Vine - Piano Sheet Music + PDF в хорошем качестве

Genesis - One For The Vine - Piano Sheet Music + PDF

PDF can be found at https://www.buymeacoffee.com/ElektrikHob Some useful gumpf; click on SHOW MORE (just below). NOTE: LH = Left Hand; RH = Right Hand. Also, any bar numbers mentioned in these notes refer to the PDF and NOT the video! (which is partly why I've put all this in the PDF too) They're different beacause Sibelius insists on keeping bars with repeat marks next to each other (e.g. bars 41 & 42 ) on the same page when exporting to video; somewhat annoying! The first thing to note is that that's pretty much all there is to the score - notes! :) I've not put any tempo markings, dynamics, pedal instructions or even arpeggio lines, although I do give the chords. OK, there are some accent marks from bar 125 for a bit, but apart from that… nada! This is simply because I think it just looks too messy with all that stuff in. All the above ARE there (but hidden) in my Sibelius file which is why the playback sounds fairly natural and reasonably close to how it sounds when I play it live. Add pedal sustain, dynamics & tempo changes in whatever way feels natural to you. This one is fairly similar to my Mad Man Moon vid in that it's how I play the piece on piano. Consequently, it consists mostly of Tony's playing, both from the studio track and the 1980-era live version, plus bits of Phil's vocal line thrown in for good measure. As an example, I've given different flavours to the early verses compared to the last verse. During the second part of the verse, the former has a generic 'vocal' line on top of the chords, whereas the latter has a reasonable facsimile of the actual line that Phil sings. In both cases I've managed to interleave the top notes of Tony's piano part during those bits. It does make it a bit tricky to play, but I feel it's worth the effort. The last verse is really just done this way here to give an idea of how you can incorporate the vocal line into the piano part; something I don't always do myself when playing… In fact, in general, I wouldn't recommend trying to play EXACTLY what I've written as I don't even do that!! I vary it a bit depending on how I feel; sometimes adding more rhythmical devices, sometimes playing the whole thing more softly etc. e.g. in bars 95-106 & 114-119, I'll often (though not always) play the LH as continuous eighth-note octaves with varying velocities (loudness) rather than holding down the pinky and thumbing the quavers as I've written it. Also worth noting is that there may be some bits that are a struggle for those with smaller hands. I'll flag those and offer possible alternatives in the bar-by-bar breakdown that follows. Here's an example straight off: Bar 35: First RH chord; If you can't stretch the 3 notes, then I recommend arpeggiating the chord rapidly upwards. You could miss out the A and perhaps play a Middle C instead but I feel the A is an important part of the chord, so probably best to try to keep it in. The rest of the bar-by-bar details are in a comment. It's scored and played back using Sibelius 7.5 with Pianoteq 6 Grotrian grand piano - my 'go to' plug-in for all things pianistic from now on! :)