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Official site: http://www.zoom.co.jp/products/ms-50g Australian Dealers : http://www.dynamicmusic.com.au/Dealer... There's a lot to love about the MS-50G. You could start with the vast selection of great effects on offer - about 55 of them; then there's the size, tweakability, it's stereo... The list goes on. Not least is the fact that the MS-50G can be used as 1. A regular stompbox; 2. an amp substitute (direct to board application) complete with effects and noise gates; 3. a general multieffect. Zoom have been in the business a LONG time. Long enough to perfect their sounds, approach, software and hardware departments. This longevity and commitment to perfection has recently manifested itself in products like the MS-50G, A3 Acoustic DI and G5 Multieffect. So if you're not fussed about pricey 'boutique' gear but you do want a complete and very well made all-round solution that offers much more value for money, I recommend you investigate. This demo deals primarily with the MS-50G used as a direct device. For the purposes of an unadulterated clean sound I've run the MS-50G directly to Pro Tools via an Mbox 3 Pro. No plugins were added in Pro Tools except a Limiter (Waves L3-16) at the Output, just to keep levels in check. Further videos will explore the MS-50G's prowess as an amp modeler ( • Zoom MS-50G Multistomp : (Part 2) Amp... ) and as a regular effects stompbox. Many thanks to Bruce and Greg at Dynamic Music, Australia, for their assistance and correspondence help on behalf of Zoom, Japan. Recording gear: Guitar : Ernie Ball Music Man 2009 Axis (stock) Amp: Zoom MS-50G (direct to Mbox 3 Pro) Cables : Providence Mic : Samson Airline77 (my voiceover headset) Camera : Canon 60D (me) and Sony HDR CX150 (MS-50G) Soundcard : AVID Mbox Pro 3 Computer : Apple iMac 27" i7 3.4 GHz 16 GB RAM Software : Pro Tools 10 LE, Waves L3-16 Limiter (to keep levels in check at output), Apple Final Cut Pro X (video editing and Youtube compression).