Скачать с ютуб BLXST ft. Ty Dolla $ign - Waste My Time (NEW 2023 UNRELEASED) в хорошем качестве

BLXST ft. Ty Dolla $ign - Waste My Time (NEW 2023 UNRELEASED)

Purchase this beat - www.yonaskbeatz.com ( title of this beat is ''On My Way) Produced by Yonas-K Blxst is leading the new wave of L.A. hip-hop the South-Central hip-hop artist Blxst (pronounced “Blast”) ran through a soundcheck before his second sold-out show at the 4,000 capacity venue. Midway through, he and his band rehearsed their rendition of “Die Hard,” the Kendrick Lamar song on which Blxst begs for another chance despite missing each one prior. Live instruments illuminated the track’s layered melodies, the emotion swelling each time they reached a section’s apex. But Blxst wasn’t satisfied. He and a stage manager huddled with the violin-toting Grandmaster Vic, instructing him to “go crazy right there” in the absence of Lamar. They ran the song back and Vic unleashed a riveting solo, racing across octaves and punctuating it with well-timed ricochet bowing. The song ended, and Blxst subtly nodded his approval. Later that night, his reactions weren’t as reserved. As he strolled onto the stage to sing “Gang Slide,” which served as the theme song for Issa Rae’s “Sweet Life” reality show about aspiring Black L.A. creatives, phone lights from the crowd bounced off his gleaming teeth, the smile betraying his joy at returning home after trekking across the country. He was just as happy to welcome onstage a parade of L.A. heavyweights who surprised the crowd by performing their collaborations (and their own biggest hits): Ty Dolla Sign, YG, Tyga, Kalan.Frfr, Bino Rideaux and Dom Kennedy. “It’s your time, Blxst,” YG exclaimed. For at least the last year, the soundtrack to Los Angeles has run through Blxst. He’s done it by taming the city’s bounce to fit his own laid-back groove, highlighted by the muted synths and punchy drums that have become synonymous with his sound. You can hear his music booming from car speakers across the city. He’s been the connective tissue throughout L.A.'s multifaceted landscape — working with global superstars such as Kendrick Lamar and Snoop Dogg, but also artists with a strong local foothold like Rucci, 1TakeJay and Kalan.Frfr. But Blxst, 30, is well aware that his hometown is only one piece of the puzzle. His tour has taken the new sound of L.A. across the map, and he’ll soon take it overseas for the tour’s international leg. “The first time I went to London, the love was so real, it makes you want to move to these cities,” he said backstage at the Palladium. “But L.A. shaped me to who I am. I could never turn my back on the city.” Blxst’s sound further expanded in April with his debut album “Before You Go,” where he relished in his newfound success while toying with brighter Blxst has done it all while pushing Evgle, the company he owns alongside Victor Burnett and Karl Fowlkes that houses a record label, clothing brand and investment arm. The company’s name is a nod to the bird that soars alone, speaking to the company’s do-it-all mentality. “The eagle is the highest-flying bird that doesn’t fly in flocks,” Blxst said. “I look at that as confidence.” Burnett had long made his name in Los Angeles as a party promoter, tracking all the way back to his days as a teenager. In 2017, he’d just finished designing merchandise for the Tupac Shakur biopic “All Eyez on Me” and was at a production facility in Culver City with the film’s lead actor who’d invited Blxst over for a studio session. The two built a rapport and Burnett gave Blxst free studio time in exchange for beats and graphic design, which he distributed to other artists and used for his own brand, respectively. As the partnership solidified, the team prioritized vertical integration, keeping the various facets of the creative process in house as much as possible. When it came time to sign a deal in 2020, they spurned the major labels to partner with Red Bull Records, an independent label that aligned with their strategy. Blxst credits Burnett and Fowlkes for helping him see how he could expand beyond just being an artist. “Traditionally artists aren’t super vocal in the first half of their career,” Burnett said. “You’d see a lot of people start to invest a little bit later, and try to get a foothold in the music department. We decided to attack both at the same time, because we understood that our cause mattered.” Family is also central to Blxst’s vision. Balancing his responsibilities to his partner and their 4-year-old son was the hardest part of his being away on tour.sounds and fuller instrumentation. But Blxst’s biggest moment of the year arrived soon after, when he appeared on the fourth song of Kendrick Lamar’s feverishly anticipated album, “Mr. Morale & the Big Steppers.” Several months before, Blxst had received a text from an unknown number claiming to be Lamar’s manager Anthony Saleh, and almost let it go unanswered.