Скачать с ютуб How To Structure Beats For Placements | Drake & Future Producer D. Hill Interview | CEO Morning Show в хорошем качестве

How To Structure Beats For Placements | Drake & Future Producer D. Hill Interview | CEO Morning Show

This morning Dylan is interviewing Grammy nominated multi-platinum producer D. Hill. He has worked on the Drake and Future chart-topping collaborative single "Life Is Good" and has also worked with DaBaby, Lil Baby, Lil Uzi, Lil Tecca, Kollision and more. In this interview we talked about how to structure your beats for placements, working with artists who aren't big and building a catalog with them, and how D. Hill went from sleeping in his car to working with top tier artists and producers in the studio, which led to building his brand and momentum through placements. Follow @d.hill on IG 🔥 BLACK FRIDAY ULTIMATE SALE 50-75% OFF EVERYTHING: https://prodgrnd.com/BlackFridaySaleM... Join Our NEW DISCORD SERVER ➡️   / discord   Be One of the FIRST Official Testers for Producergrind Coffee ☕ ➡️ https://prodgrnd.com/CoffeeTester More Important Links to Check Out 👇 Improve Your Beats w/ FREE Kits & Samples ➡️ http://bit.ly/FreeSoundKits Text Dylan Directly! ➡️ https://my.community.com/producergrind OR Text 404-737-1304 Catch us LIVE Every Monday-Friday at 10AM where fans & viewers call in to discuss music production & business topics! Timestamps 👇 00:00 D.Hill Joins the stream 00:30 D.Hill talks about his grind 01:34 The difference between making beats and taking it serious 02:48 When you’re ready to start sending beats to artists 04:09 How long it took D.Hill to master his craft 05:54 D.Hill's go to structure 10:25 Best way to go about using loops 11:51 D.Hill's go to plugins, Biotek, and mixer, master channel 15:09 Plugins D.Hill used on “Life is good” and how the track came about 19:50 Navigating Atlanta, Miami music scene 23:23 Where to start as producer when you move to a big city 28:09 D.Hill’s thoughts on interning 31:15 D.Hill’s biggest challenge on his come up and looking like you’re in motion 38:15 D.Hill’s thoughts on building catalogue 41:00 Working with artists who have nothing going on and artists who have a budget 46:30 What D.Hill did to prepare for the success of “Life is good” 48:30 How many beats to have in the inventory 50:40 Reasons why producers/artists fall off 53:00 Q&A with Joshwin: Advice for a 13 year old, building up with artists, sending beats to artists who don’t write 01:00:00 Q&A with Icey: How to get emails, sending beats to engineers, staying independent or getting signed 01:03:22 Q&A with Chris Garcia: What’s the key to having a solid mix when sending beats 01:07:00 D.Hill’s opinion on paying producers to link up at a studio for one on one interaction 01:10:00 Q&A with Drillbit: Breakthrough moment for D.Hill that increased his brand and following up on “Life is Good” 01:14:10 Q&A with Karmatosed: How D.Hill connects his songs with transitions 01:16:40 D.Hill’s twitch stream and merch 01:19:33 Outro