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(13 Sep 2023) UK CHANEL FASHION ASSOCIATED PRESS London, UK - 13 September 2023 1. Wide of the Victoria and Albert Museum 2. Wide tilt up on banner with Gabrielle Chanel exhibition 3. Wide of a personal Chanel outfit sold at auction in the 1970s 4. Wide of display with 1920s outfits 5. Close tilt up of outfit 6. Wide of selection of outfits in blush 7. Close tilt up on blush pink gown 8. Wide of cream blouse, one the earliest surviving items designed by Chanel 9. SOUNDBITE (English) Connie Karol Burks, exhibition project curator: "So the exhibition explores how Gabrielle Chanel really shaped the modern woman's wardrobe from the opening of her first boutique in 1910 to the closing, to her last collection in 1971. And we really wanted to map out the defining elements of her unique fashion vision that still influenced the way we dress today." 10. Wide of outfits from 1920s 11. Mid of pink print dress 12. Close detail of seam 13. Wide pan from one black dress display to another 14. Close tilt up black dress 15. Wide of perfume and beauty room timeline light panel 16. Mid of shelf of perfumes 17. Close of Chanel No. 5 perfume label, pull out to wide of empty bottle 18. Mid of Chanel No.19 perfume, last one Chanel personally supervised in 1970, pull focus 19. Mid of letter written by Queen Elizabeth II to Boy Capel for sending her a bottle of Chanel 5 20. Wide of outfits from 1930s 21. Mid tilt down on pantsuit owned by fashion editor Diana Vreeland 22. Wide of sequined dresses 23. SOUNDBITE (English) Connie Karol Burks, exhibition project curator: "Yes. And of course, there are several elements that we all very familiar with in terms of what Gabrielle Chanel contributed to 20th-century fashion. Things like the little black dress or Chanel No 5. But in this exhibition, we expand out from that and we really look in detail at how her approach to design influenced the way we all dress. So there are certainly some more surprising elements. We were really conscious to put in her more colourful designs and to sort of spotlight her, as she was a fantastic colourist, as well as her experiments with textiles and throughout her career she was quite radical in her approach to using unconventional textiles. So things like cotton for eveningwear and of course her popularization of tweed in the 1920s." 24. Mid tilt down on feathered capes 25. Wide pan right to left from white fan to white evening dresses 26. Wide pan of room full of tweed costumes 27. Wide pan left to right of row of tweed costumes on lower row 28. Wide of higher level pink and grey outfits 29. Wide of higher level colorful tweeds 30. SOUNDBITE (English) Connie Karol Burks, exhibition project curator: "I mean, she first started using tweed in the 1920s, and that was in part inspired by her connections to Britain. So obviously, it was a textile sort of traditionally produced in Britain and worn for sporting activities. And so she was inspired by those sort of hunting and fishing wear. But she took those fabrics, the tweed fabrics, and used them in her fashionable Parisian couture designs and really made tweed something fashionable for the streets as well as for the country. And then she revisits that again in the 1950s. And what's quite remarkable about that time is the really experimental textiles. So if you have a look at that room, there's some fantastic textures, brilliant use of colour and a real richness in the textiles as well as, of course, the actual form of the suits themselves." 31. Close pan up on pink outfit owned by Lauren Bacall 33. Close tilt up on outfit worn by Marlene Dietrich Find out more about AP Archive: http://www.aparchive.com/HowWeWork Twitter: / ap_archive Facebook: / aparchives Instagram: / apnews You can license this story through AP Archive: http://www.aparchive.com/metadata/you...