Скачать с ютуб Raga Bageshree | Vidushi Dr. Ashwini Bhide Deshpande | Live at Sawai Gandharva Mahotsav, Pune 1993 в хорошем качестве

Raga Bageshree | Vidushi Dr. Ashwini Bhide Deshpande | Live at Sawai Gandharva Mahotsav, Pune 1993

The mesmerizing rendition of Raag Bageshree by Vidushi Ashwini Bhide Deshpande live at 41st Sawai Gandharva Mahotsav, Pune on 22nd December 1993. 00:00 - Kaun Gat Bhayi : Vilambit Khayal 35:24 - Eri Mai Sajan Naahi Aaye : Madhyalay Khayal 42:39 - Jhagara Karat Pakar Lini : Drut Khayal ______________________________________________________ Raga: Raga Bageshree Taal: Teentaal, Ektaal Compositions: Kaun Gat Bhayi Eri Mai Sajan Naahi Aaye (Kishori Amonkar) Jhagara Karat Pakar Lini Vocalist: Vidushi Dr. Ashwini Bhide Deshpande Style: Jaipur-Atrauli Gharana ______________________________________________________ 📝Lyrics: ********** Eri Mai Sajan Nahi Aaye ********* एरी माई साजन नही आये कौनसी मोसे भूल परी । मन की नगरिया पी बिन सूनी का करु सजनी असुवन लागी झरी ॥ ********** Jhagara Karat Pakar Lini ********* झगरा करत पकर लिनी बैंयां मरोरी, अपनी गरज पकर लिनी बैंयां मरोरी || जमुना के केवल धाम मांगत है जौबन दान, भाग आयी दौड आयी बैंयां मरोरी || ______________________________________________________ About Artists: Dr. Ashwini Bhide-Deshpande: Ashwini Tai belongs to the Jaipur-Atrauli Gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a Ph.D. in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai. Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior Gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the Gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati, and Patiala Gharana, she has created her own musical style. She holds a strong command over the three primary saptaks. ______________________________________________________ No Copyrights own.