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Making Music With Iconic AMS Reverbs & Delays!

A video looking at the AMS 1580S and the AMS RMX 16, which were early digital effects units that helped define the sound of recordings in the late 70s and early 80s. In the video I use them to process sounds within a song I’m recording and demonstrate what they do during the production. 0:00 Intro 1:01 Processing the Roland TR-77 with the DMX 15~80S 2:38 Processing the SCi Drumtraks with the RMX 16 3:10 RMX 16 Program Demonstration 4:45 RMX 16 Non-linear Explanation 5:35 RMX 16 Non-linear Demonstration 6:26 DMX 15~80S Delay Modulation Explanation 7:08 DMX 15~80S Delay Modulation Demonstration 8:07 Sampling with the DMX 15~80S 9:41 Processing the Yamaha DX7 with the DMX 15~80S 10:13 Processing Lead Vocals with the DMX 15~80S 10:55 Processing Group Vocals with the DMX 15~80S 12:09 Processing the Roland System 100m with the DMX 15~80S 12:45 Processing DI'd Guitar with the RMX 16 13:45 The Final Result (Full Performance) Social:   / alexballmusic     / alexballmusic   If you want the RMX 16 impulses in great detail for your DAW then I highly recommend this very authentic pack: https://inhalt.bigcartel.com/product/... // Some extra info for those who are interested: Advanced Music Systems (AMS) was formed by Mark Crabtree and Stuart Nevison in Burnley, UK in the mid-1970s. They began designing and building effects processors and in 1978 came their first ground-breaking product, the AMS DMX 15~80 digital delay. This unit was significant as it was the first commercially available microprocessor controlled delay. Rather than using tape to record incoming audio that played back over repeat heads (like a tape delay), the 15~80 recorded the incoming audio into digital memory at up to 18kHz and 15 bits. There followed the stereo version (15~80S), which is what I’m using in this video. As well as delay, the unit has many tricks up its sleeve including chorusing, flanging, adt, pitch shifting, feedback, modulation, sampling, sample triggering and looping. Initially utilised and skilfully employed by Martin Hannett and Martin Rushent, the 15~80 became a studio standard well into the 80s. Although, its 1981 sibling, the RMX 16 probably takes the limelight in that regard and we cover that unit in this video too. The RMX 16 was designed to offer a range of programmable reverbs in a rack mounted unit and it was a big hit in the 80s. The “nonlin”(non-linear) preset was the go-to effect for Prince and it was used in so many studios that it became a cliché in its own right. There are of course other reverbs on the unit as I demonstrate in the video. As mentioned in the video, the "nonlin" preset is likely based on the compressed and gated reverb sound accidentally discovered when Phil Collins was recording at Townhouse Studios in 1979. There's an article about that here: https://www.musicradar.com/features/h... The RMX has since been given “classic vintage” status by being emulated as an official plugin by Universal Audio in 2014 and reissued as a hardware unit in 500 format just this year.