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Coil – Il Violino e la Selce – Corte Malatestiana, Fano, Italy (2002-07-26) [MATRIX]

Coil Live at Il Violino e la Selce Corte Malatestiana, Fano, Italy July 26, 2002 Feeling: Reflective AMT #1a + AMT #1b + PRO #1 + PRO #2 + AUD #1a Matrix Mix. Out-dated mix with a few mistakes, but this is still currently the best record of the show publicly available. 1. The Last Rites of Spring 0:20 Meteorite 9:33 2. Amethyst Deceivers (Version 2) 10:15 3. Are You Shivering? 19:19 Ostia (Intro) 25:12 4. Ostia 27:20 5. An Unearthly Red 37:20 Muslims + George W. Bush Speech 49:05 6. A.Y.O.R. 51:39 7. Backwards 1:02:55 Backstage Footage 1:20:24 Transitional gig. Some sources mislabel this gig as taking place on July 28th, but according to posters and Massimo himself, the correct date is July 26th 2002. Debut performances of “The Last Rites of Spring,” “Are You Shivering?” and “Ostia,” final live performances of “Amethyst Deceivers (Version 2),” “A.Y.O.R.,” and “Backwards”. Francesco Battisti organized the event in conjunction with Il Violino e La Selce, a festival dedicated to contemporary music. A female audience member dances throughout the concert. PRO #2 prominently shows her during “Are You Shivering?” and AMT #1 during “A.Y.O.R.” Introducing "Ostia," Massimo slowly walks over to the mic. John stands and kneels to his side in prayer. The Pasolini poem is as follows: "Quanto al futuro, ascolti: i suoi figli fascisti veleggeranno verso i mondi della Nuova Preistoria. Io me ne staro la, come colui che sta sulle rive del mare in cui ricomincia la vita. Solo, o quasi, sul vecchio litorale fra ruderi di antiche civilta, Ravenna Ostia o Bombay — e uguale — con Dei che si scrostano, problemi vecchi — quale la lotta di classe — che si dissolvono… Come un partigiano morto prima del maggio del ’45, comincero piano piano a decompormi, nella luce straziante di quel mare, poeta e cittadino dimenticato." John after "An Unearthly Red": "I wonder who that song was about. I think I’m gonna become a Muslim anyway – join the other side. Then again, they’re just a religion based on goats and water holes as well, so I better not. You know, one thing I read recently about what George Bush has just, uh, agreed again to completely ignore the opinions of any well-thinking, well-meaning, good-hearted person in the world again, as is his want, as is his father’s want, you know, they have a plan to bring about Armageddon. This is pretty obvious and it’s pretty close, uh, but the weird little thing that really has fucked me up, uh, is this thing they have called, uh, ‘Elf.’ It’s ‘extremely low frequencies’ which they use to, uh, navigate submarines, nuclear submarines through the world’s oceans, and it uses an extremely low pulse, and this pulse, what it does, one of the effects it has is it disrupts the normal, uh, navigational skills and the communication skills of the seatons [sic] – you know, the whales and the dolphins. Basically, they’re gonna be destroyed by this, uh, and against, you know, the wishes of those in the know, the Americans have completely just said ‘Fuck you’ and gone ahead with this, so it’s a fucking tragic situation, actually. I don’t, I don’t understand why animals haven’t worked out how stupid some human beings are and just attacked them en masse, you know? Like you might be out in the forest in America somewhere and be attacked and eaten by squirrels or gored to death by moose or reindeer, you know. I don’t get it. Why don’t, why don’t animals just do this? Tear them to fucking pieces." LCA Concert Page, containing more info: http://live-coil-archive.com/2002-par... John Balance – vocals, Electro-Harmonix (with 16-second delay, modified by Kanwal Dulay), cymbals on “The Last Rites of Spring” Peter “Sleazy” Christopherson – Ableton sequence, video projections, Clavia Nord Modular Synthesizer Simon Norris (Ossian Brown) – Clavia Nord Modular Lead Synthesizer, sleigh bells on “The Last Rites of Spring” Massimo Villani – Pasolini poem reading on “Ostia,” Black Sun Productions’ “Ghost Boy” performance art Pierce Wyss – Black Sun Productions’ “Ghost Boy” performance art Recordings: AUD #1a: https://archive.org/details/Coil-Live... AUD #1b: https://archive.org/details/Coil_Live... AMT #1a: https://archive.org/details/Coil_Live... AMT #1b: https://archive.org/details/Coil_Live... PRO #1 & PRO #2: https://archive.org/details/Coil_Live...