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Trill Mistakes That Make Bach Cringe - CPE Bach, On Trills (pt.5.1)

The alternative title for this video is: The Music Connoisseur. With regard to Mozart's Sonata in Bb major K.281, when one looks at those two Cs in bars 18 and 20, one could see how Lilliput or the Roll of Honour would love to give them trills. To them, it would be like those notes are just begging for trills, like Mozart overlooked them and forgot to add the trill signs. Thus, it makes sense that Mozart would have to take some precaution to prevent such a thing from happening. Whereas, in the case of appoggiaturas being (as Lilliput claims) there for the same purpose; who can imagine anyone wanting to ornament any of the appoggiaturas that appear in any of the Allegro movements of his sonatas? On a basic, normal level, the one makes perfect sense and the other makes no sense at all. We also learn from §20. that Mozart wants those notes to be matt and drawn out. Trills lift, they enliven; they belong to the gloss around which nothing contrasts better than a matt... least of all, more gloss. Also, in the paragraph, Bach refers to 'the good performance' amply winning back what is lost. In the pieces I upload, I am demonstrating that actual 'good performance' as is completed by AC fingering and AC finger position. I don't expect anyone to simply believe me. They are there to be examined. If you listen to the voices, picking them out, you will be better able to hear past the noise of the piano and detect 'the good performance'. And when you can appreciate the music and 'the good performance' in my uploads, or if you have anyway been able to appreciate it, then you are what Bach would call a connoisseur. Then the question to ask yourself would be: Do I want that 'good performance' for myself and my own playing?