Русские видео

Сейчас в тренде

Иностранные видео


Скачать с ютуб Sidharth Malhotra & Rashmika Mandanna Interview | Mission Majnu | Film Companion Front Row в хорошем качестве

Sidharth Malhotra & Rashmika Mandanna Interview | Mission Majnu | Film Companion Front Row 1 год назад


Если кнопки скачивания не загрузились НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием, пожалуйста напишите в поддержку по адресу внизу страницы.
Спасибо за использование сервиса savevideohd.ru



Sidharth Malhotra & Rashmika Mandanna Interview | Mission Majnu | Film Companion Front Row

Sidharth Malhotra and Rashmika Mandanna bring Mission Majnu to Film Companion Front Row. The two actors talk to Anupama Chopra about making the spy film, comparisons with Raazi, and their first impressions of each other. Watch to know which Friday they believe entirely changed their lives AND all the scoop from the sets of Pushpa 2: The Rule. #missionmajnu #siddarthmalhotra #rashmikamandanna Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   Time Stamps: 00:00 Promo 00:45 Welcoming Sidharth Malhotra & Rashmika Mandanna 01:50 The sexiest thing about a spy... 05:11 Realism in Spy movies 06:55 Rashmika Mandanna on her debut Hindi film 09:07 Comparison with Raazi 12:32 Sidharth's change in vision after Shershaah 15:58 "Every film is a learning experience" 19:18 The difference in level of vanity: Bollywood Vs South 20:00 Sidharth recalls performing the death scene in Shershaah 25:39 Performing anger is difficult for Rashmika 27:40 Negativity & Positivity on Social Media 35:24 What is Rashmika's strategy to choose films? 37:45 Rashmika Mandanna on Vijay Thalapathy 40:06 The problem with Bollywood is... 43:51 Rashmika on Pushpa 2: The Rule 45:15 The Friday that changed your life 47:13 Q&A with audience About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.

Comments