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The Vocal Range Of Lisa Gerrard

Lisa Gerrard is a singer/songwriter known for being half of the duo Dead Can Dance as well as for her various film scores. The music of Dead Can Dance spans many genres but is most commonly placed in the world music and gothic rock areas. The solo work of Lisa Gerrard is also known for spanning many styles but having more roots in operatic/neo-classical styles ("The Mirror Pool", "Immortal Memory"), world ("Duality") as well as new age ("The Silver Tree"). Gerrard's film work is often somber, with chamber orchestras and mournful synthesizers accompanying her voice. Lisa's voice is often described as powerful, rich, soothing and mournful. Earlier in her career, Lisa's voice was more raw sounding with heavy use of a really speedy vibrato. As the 1990s came around, Lisa's voice had become more smooth and deepened almost drastically, although higher notes were of no difficulty. Lisa's lower register is perhaps her strongest suit, being very well-trained and operatic, often darkened in the mid to lower third octave to great effect. Her higher registers often have a very bright tone, often piercing and operatic as well. The upper fourth octave is where the voice seems to be the strongest. Lisa Gerrard has an instantly recognizable, but completely unique voice and style that continues to enchant and mesmerize. Higher Notes: 1. 0:00 We'll start with the highs! An A4 from "Yulunga (Spirit Dance)". 2. 0:14 Graceful, operatic A4s from "Sacrifice". 3. 0:49 Two B♭4s from the breathtaking climax of "Sanvean: I Am Your Shadow". 4. 1:09 Singing up to an emotional B♭4 in "Circumradiant Dawn". 5. 1:38 A soulful B♭4 from "That's What You Always Do". 6. 1:50 More B♭4s from the devastating piece "The Host Of Seraphim". 7. 2:17 Going up to a ghostly B4 in "Space Weaver". 8. 2:29 B4s from "Now We Are Free" from live in Montreal 2012. 9. 2:41 From "Redemption" is a somber sounding C5. 10. 2:55 C5s followed by a fantastically sustained G♯4 from "Anabasis". 11. 3:17 Very raw C5s from "Swans" live Hamburg 1990. 12. 3:37 Many sweet-sounding C5s from "Cantara". 13. 4:03 C♯5s from the dark "Summoning Of The Muse". 14. 4:30 C♯5s from the joyous "The Arrival And The Reunion". 15. 4:41 Going up to C♯5 in the hypnotic "Shadow Magnet". 16. 4:54 More C♯5s from "Nadir (Synchronicity)". 17. 5:11 Slighty flat D5s from the cheerful "Isabella" live Hamburg 1990. 18. 5:33 Next is a rich and gorgeous D5 from "Immortal Memory". 19. 5:46 B4s, C♯5s and an E♭5 from the anguished last minute of "Ocean". 29. 6:33 Touching on E♭5 in an unreleased piece nicknamed "Eyeless In Gaza". 21. 6:45 An E♭5 from the dark piece "The Crossing". 22. 6:56 Several strong C♯5s and an E5 from the climax of "The Spider's Stratagem". 23. 7:20 Next is an F5 from a "Swans" live Hamburg 1990. 24. 7:30 Frantic vocals with an F♯5 from a live performance of the unreleased "Lyandra". 25. 7:40 A strange F♯5 from "Cantara" live Hamburg 1987. 26. 7:54 A quick, but easy F♯5 from the wistfully shrill "Mosaic". 27. 8:02 C5s and C♯5s with short G5s from the menacing "Echolalia". 28. 8:12 A G5 then an F5 (with a quick backing A5) from "Journey Away". 29. 8:39 A ghostly A5 from "Reiputa". 30. 8:49 Several whooped B♭5s (Lisa's highest known note) and G♯5s from "The Snake And The Moon". Lower Notes: 31. 9:07 Onto the lows! Singing down to F3 and E3 from the heartbreaking "Sleep". 32. 9:37 A super strong E3 from "Largo". 33. 9:49 A husky-sounding F♯3 then E♭3 from "In Exile". 34. 10:03 Dipping to E♭3 from the legendary "Now We Are Free". 35. 10:11 A quiet E♭3 from "Spanish Ballerina". 36. 10:21 Another soft E♭3 from "Tristan" live Toward The Within. 37. 10:32 E♭3s from "Come Tenderness". 38. 10:49 Another strong E♭3 from "La Bas: Song Of The Drowned". 38. 11:01 A dip to D3 from "Not Yet". 40. 11:09 Next is a strongly sung D3 from "The Circulation Of Shadows". 41. 11:22 Chanted D3s from the meditative "Maranatha". 42. 11:46 From "Psallit In Aure Dei" are a few dark D3s with a quiet C3. 43. 12:12 A brief. raspy C♯3 from "Of Love Undone". 44. 12:20 A quiet C♯3 from "The Wind That Shakes The Barley". 45. 12:29 Dipping down to C♯3s in the mournful "Redemption". 46. 13:02 Very strong singing between E♭3-C♯3 from "An Evening With Lisa Gerrard" back in 2007. 47. 13:17 Moving up from a quiet C3 from the intro of "Tell It From The Mountain". 48. 13:33 Warm speaking down to B2 from "Tribes Unrealized". 49. 14:03 More speaking down to B2 and B♭2 from "The Black Opal". 50. 14:29 Breathy singing moving down to G2 from "Forest Veil"! 51. 14:44 To close the video, an E♭3 followed by a heavy B♭2 going down to an equally strong F2 (Lisa's lowest known note) from "Ocean Lament".