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Wood and bones, Jerôme Combier - for cello solo -M. Santapau

Wood and bones for cello solo Jerôme Combier, compositor Manuel Santapau, cello CellosMagics Festival 2021 https://www.cellosmagics.org « In the deep glens where they lived all things were older than man and they hummed of mystery. » Cormac McCarthy, The Road Wood and bones is constructed in two rhythmic and gestual movements separated by a short moment of suspended sounds. The first movement explore pizzicaC (played on the lee hand at the same Cme as the bow col legno baKuto) and glissandi obtained with a boKleneck. Then it developes a small dance of bones, made with col legno baKuto behind the bridge and harmonic pizzicaC on the lee hand : something not common for a cellist because it implies independence of hands. The second rhythmic movement is a very gestual and physic music, made of col legno baKuto sounds, hit on the « tasto » part, bow rebounds, « taping » of lee hand. Between these two movements, a short moment explore the open strings and the harmonics of the cello in a large single sentence. There is, in wood and bones, a special scordatura which makes some strange harmonics possible: C / F# / C# / A. Wood and bones would be like the music of an unknown ritual. It summons wooden materials - the wood we hit to summon spirits-, and raKling of bones -bones we agitate to keep the fate at bay. Is Wood and Bones the end of one world ? It seems to be saying that no bow game is possible, no lyricism. In this music, there is no "human voice", it has disappeared. There is no lyrical phrase, no melody that a bow would make vibrate, almost no note played such as memory keeps track of a bygone era. Is this to say that there is no more music possible? On the contrary, it seems that on this ground of negaCvity grows an ignored expressiveness made up of obsCnate pulsaCons, fast rhythms and improbable Cmbres: bouncing bows, pizzicaC of harmonics, striking the hand with the key, "taping" and "boKleneck" (specific to popular guitar); so many unsuspected gestures that go back to primiCve sources: rhythm and its catharCc powers, virtuosity. A different world appears, stemming from a very personal ficCon, where encounter vesCges, ruins, a world looked in front, a primiCve world which contains the possibility of another sensiCvity. «Death is just a passage," say the shamans. Aeer death, existence conCnues as before. The world just looks more twilight.» https://www.manuelsantapau.com   / manuelsantapau   https://www.instagram.com/manuel.sant... #cello #Jerome combier #cello contemporaneo #cello contemporary #cello solo #cellosmagics festival #jérôme combier #manuel santapau #musica contemporanea #opal strings violoncello #wood and bones # combier cello solo # wood and bones combier