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段英梅的行为艺术

艺术家段英梅 #视觉艺术 #中国当代艺术家#艺术视频档案#艺术人生#口述历史#Interviews #ChineseContemporaryArtists Yingmei Duan was born in 1969 in Daqing in China. She is currently based in Braunschweig, Germany. 段英梅1969年出生于中国黑龙江省大庆市，目前在德国布伦瑞克工作和生活。 In 1989 she graduated from the Northeast Petroleum University in China and in 1991 she began her artistic development. She engaged in advanced studies - oil & mural painting, design and sculpture at the Central Academy of Fine Arts and Central Academy of Art and Design in China. She worked in Beijing as a freelance artist until 1998. In 2005, Yingmei Duan obtained her diploma in Fine Arts at The Braunschweig University of Art in Germany. 1989年毕业于中国东北石油学院采油工程专业，并于1991年开始了她的艺术创作生涯。她先后在中央美术学院和中央工艺美术学院进修油画、壁画、设计和雕塑专业。直到1998年，她作为自由艺术家生活在北京。2005年，获德国布伦瑞克造型艺术学院自由艺术专业研究生。 Yingmei Duan is part of the Chinese avant-garde, working creatively for many years living in the legendary art district of Beijing’s East Village. In 1995 she participated in the performance “To Add One Meter to an Anonymous Mountain” which is considered to be one of the classics of Chinese contemporary art. Being based in the East Village between 1993-1995 prompted her curiosity, which led to her interest in performance art and has had a great impact on her later art career. The final turning point came when she began to study in Germany at The Braunschweig University of Art (HBK) in 2000, where she got to meet the performance artist Marina Abramović. Since that time Yingmei Duan has dedicated herself to performance art as her artistic expression. There, she also studied and worked with the filmmaker and action artist Christoph Schlingensief, participating in several of his large-scale video performance installations. 段英梅代表着中国前卫艺术的一部分。她曾在传奇的艺术区——“北京东村”生活和创作过多年，并在1995年参与了被认为中国现代艺术的经典之一，“东村”艺术家集体行为艺术作品《为无名山增高一米》的创作和表演。可以说，1993年至1995年在“北京东村”的生活，使她对行为艺术产生了极大的好奇心及浓厚的兴趣，并对其后来的艺术生涯有很大的影响。其艺术创作的转折点，是2000年她在德国布伦瑞克造型艺术学院学习期间，师从玛丽娜•阿布拉莫维奇学习行为艺术，在她的影响下，段英梅成为了一名纯粹的行为艺术家。求学期间她还曾跟随电影人、行为艺术家克里斯托夫•施林根基夫学习和工作, 并参与了他导演的多部大型行为装置艺术作品的创作和表演。 Yingmei Duan is a curious observer who asks questions of all facets of life in order to continuously learn and develop. For the past twenty-four years she has concentrated her energy and creativity on making performance art and researching the medium. Yingmei Duan has developed her own performance system. She describes these categories as: “Solo Performance”, “Performance Installation”, “Changing Exhibitions“, “Daily Live Art Performance” (DLAP), “Equal Collaborative Performance” (ECP), “Object Interactive Performance“ (OIP) and “Object & Video Interactive Performance“（OVIP). In 2018, Yingmei has combined performance art with more pure singing, Her Music album “Forty-Eight Years Ago, the Road an Ocean“ is published. It is an extension of her performance art. 段英梅是一个充满好奇心的观察家，她对生活的方方面面都有着浓厚的兴趣，喜欢提出各种各样的问题。在过去的24年里，她将全部精力和创造力专注于行为艺术的创作和研究，并提出了以下几个独立的术语，即 “个人行为”、“行为装置”、“变化的展览”、“日常行为艺术（DLAP）”、“平等合作（ECP）”、“物件互动行为作品 (OIP)” 及“物件 & 影像互动行为作品（OVIP)”。 2018年，把行为艺术和更纯粹的歌唱形式进行结合。出版了个人歌唱专辑《四十八年前路途是海洋》，是其行为艺术实践的又一个延伸。 Within her performances she crosses mediums and often incorporates sound, video and installation. Besides her solo projects Yingmei loves to work with people from different cultures, ages and areas of life and has realised over one hundred collaborative performances. Her artworks, frequently in progress, can stretch over long periods of time. 她经常交叉使用各种艺术媒介，常常把声音、影像以及装置糅合在作品中。除了她的个人表演，段英梅还喜欢与来自不同文化背景、不同年龄、不同领域的人进行合作，目前她已经完成了一百多件行为艺术合作项目。 Yingmei Duan has shown her performance and performance installation art in, amongst other places the Van Gogh Museum in Amsterdam (2005), La Biennale di Venezia in Italy (2007), Haus der Kulturen der Welt in Germany (2009), Guangzhou Live in China (2010), Lilith Performance Studio in Sweden (2011), Hayward gallery in London (2012), Glynn Vivian Art Gallery in Swansea in Wales (2013), He Xiangning Art Museum in China (2014), The 19th Biennale of Sydney in Australia (2014), Wiener Festwoche in Austria (2016), Capsule Shanghai in China (2017), M Plus Museum Hong Kong in China (2018), Dimensions Art Center in Chongqing, China (2019) and Garage Museum of Contemporary Art in Moscow, Russia (2021). 段英梅的行为艺术作品和行为装置艺术作品先后在荷兰阿姆斯特丹凡高博物馆(2005)、意大利威尼斯双年展(2007)、德国柏林世界文化宫(2009)、中国广州国际现场行为艺术节(2010)、瑞典马尔默莉莉丝行为艺术工作室(2011)、英国伦敦海沃德美术馆(2012)、英国斯旺西格林维维安美术馆(2013)、中国何香凝美术馆(2014)、第十九届澳大利亚悉尼双年展(2014) 、奥地利维也纳艺术节(2016)，中国胶囊上海画廊(2017)、中国香港M+美术馆(2018) 、中国重庆十方艺术中心(2019)及俄罗斯莫斯科车库美术馆（2021-2022）等展览及机构展出。