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Скачать с ютуб Chacha Chakkan ne dhoban ko kapry dye, Imtiaz Ali Taj, चाचा छकन، چچا چھکن نے دھوبن کو کپڑے دیے в хорошем качестве

Chacha Chakkan ne dhoban ko kapry dye, Imtiaz Ali Taj, चाचा छकन، چچا چھکن نے دھوبن کو کپڑے دیے 4 года назад


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Chacha Chakkan ne dhoban ko kapry dye, Imtiaz Ali Taj, चाचा छकन، چچا چھکن نے دھوبن کو کپڑے دیے

#chachachakkan, #imtiazalitaj, #urdudiary Syed Imtiaz Ali Taj was a dramatist who wrote in the Urdu language. He is remembered above all for his 1922 play Anarkali, based on the life of Anarkali, that was staged hundreds of times and was adapted for feature films in India and Pakistan, including the Indian film Mughal-e-Azam. Films based on his play Anarkali, (literal meaning:"Bud of Pomegranate") written in 1922, is a romantic play based on a quasi-mythical legend. It tells the story of a beautiful slave girl named Anarkali (a courtesan) who falls in love with Prince Salim, but the romance ultimately leads to her tragic death. Anarkali (birth name was Nadira Begum or Sharf-un-Nissa) had come to Lahore from Iran with a traders' caravan as a young girl. She was endowed with the title of 'Anarkali' (Bud of Pomegranate) by the Mughal Emperor Akbar because she was physically very attractive. It's really amazing that Emperor Jahangir (son and successor to Emperor Akbar) who allegedly got involved romantically with this courtesan girl never mentioned her in his autobiography Tuzk-i-Jahangiri or any other historian of that time mentioned their love saga. Of course, at that time, due to the fear of disapproval by the domineering Emperor Akbar, no historian of that time would risk touching the subject. Yet this tragic love saga persisted and stayed alive among the common public and ended up becoming a popular folktale. The first historical mention of Anarkali is found in the travelogue of the British tourist and trader, William Finch (merchant) who toured Lahore around the same time when this love saga took place - during 1608 to 1611.[8] Finch's version of this tragic love saga is that Anarkali was actually one of the wives of Emperor Akbar and the mother of his son Danial Shah. Emperor Akbar developed suspicions that Anarkali also was romantically involved with his son Jahangir and had gone as far as committing incest with his son Jahangir. On the basis of those suspicions, he had her buried alive in the wall of Lahore Fort in 1599. Finch goes on to describe further in his version of events that Emperor Jahangir, after the death of his father and after becoming the emperor himself, had a tomb built in Lahore in memory of his beloved Anarkali in 1615. Imtiaz Ali Taj's later-written novel Anarkali (published in 1922)is said to be "a milestone in the annals of Urdu drama". It has immortalized the tragic love story in Urdu literature as well. He modified the play in 1930, with a reprint in 1931, in the popular "modern prose genre" which became a basis for several feature films from India and Pakistan. In 1918, Taj also published a monthly magazine called the Kahkashan from the publishing firm of Darul Ishat which he owned.Another contemporary writer, Munshi Premchand, contributed stories to this magazine in Urdu. It so happened that an article which Premchand had submitted was on the same theme on which Taj was also writing a story. Then Taj decided to drop his article in favour of the one written by Premchand, who then expressed his regret but said that at least they both were on the same wavelength. Taj had also promoted the Lahore Arts School in association with many other stalwarts of the theatre scene in Lahore whose activities included promoting arts through a theatre and an art gallery. Chacha Chakan (1926) is a hilarious comedy of plays for children with themes of satire and humour. Chacha Chakan is considered the funniest character in Urdu drama. Chakkan is said to be based on Jerome K. Jerome's character Uncle Podger. Imtiaz Ali Taj also wrote short stories, novels and screen plays. From 1958, he was director of "Majlis" a translation board established in 1950, in which he republished works of Urdu literature. He was active in the theatre both as an actor and a director. https://baithakk.blogspot.com/   / beithaak.baithak.9  

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