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Gadamer and Dialogue: Hermeneutics Part 2

Dialogue is the key model in Gadamer’s hermeneutics. We’re going to talk about his concept of a horizon, his argument against historicism, and what historically-effected consciousness is. The sinking of the Titanic and Diego Velázquez’s famous painting, Las Meninas, are used as examples of how hermeneutics operates. This is the second of a 5-part series on Hermeneutics Part 1: Death of the Biblical Author Part 2: Gadamer and Dialogue Part 3: Habermas and Critique Part 4: Ricoeur and Suspicion Part 5: Levinas and the Other Help support the channel at https://ko-fi.com/tenonreligion Thanks so much for watching today’s video, I hope you enjoy it. Don’t forget to like and share the video, and if you’re new, consider subscribing. 0:00 Intro 1:10 The “dialogical zone” 2:19 Four shared characteristics of Western hermeneutics 3:25 Gadamer’s concept of “horizon” 4:36 Gadamer’s argument against historicism & historically-effected consciousness 6:28 The example of two films on the sinking of the Titanic 9:30 The example of Diego Velázquez’s painting, Las Meninas 11:21 Conclusion *Sources* Hans-Georg Gadamer. Truth and Method. Second, Revised Edition. Translation revised by Joel Weinsheimer and Donald G. Marshall. New York: Continuum Publishing, 2002. B. H. McLean. Biblical Interpretation & Philosophical Hermeneutics. Cambridge: Cambridge University Press, 2012. Diego Velázquez, Las Meninas (painting) A live-version setting for this painting was recreated in 2004. See Eve Sussman's “89 Seconds at Alcázar” *Info/Gear* Transcript at tenonreligion.com Twitter: @ReligionTen, @DrMarkBanas TikTok: @drbanas Graphics by Mark Banas. Images by Mark Banas and in public domain. Video editing software: HitFilm Express Equipment: Google Pixel 5a 5G, Glide Gear TMP 50 teleprompter, Sunpak Pro Series 66 tripod, Pop Voice PV510+ Lavalier microphone