Русские видео

Сейчас в тренде

Иностранные видео


Скачать с ютуб Mark Reizen - Prince Gremin's aria в хорошем качестве

Mark Reizen - Prince Gremin's aria 15 лет назад


Если кнопки скачивания не загрузились НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием, пожалуйста напишите в поддержку по адресу внизу страницы.
Спасибо за использование сервиса savevideohd.ru



Mark Reizen - Prince Gremin's aria

Reizen was born into a Jewish family of mine workers. He had four brothers and a sister, and all were musically trained, playing mandolin, guitar, balalaika and accordion. He served as a soldier in the First World War. Then he studied as an engineer, but also as a singer at the Kharkiv conservatory with the Italian professor Federico Bugamelli in 1919-1920. He made his debut at the Kharkiv Opera in 1921 as Pimen in Mussorgsky's Boris Godunov, and in 1925 moved to the Mariinsky Theatre in Leningrad. Reizen toured Paris, Berlin, Monte Carlo and London in 1929-1930. He joined the Bolshoi Theatre in 1930 where he was a leading bass until his retirement in 1954. His roles included, Ivan Susanin and Ruslan from the Glinka's operas, Don Basilio (The Barber of Seville by Rossini), Mephistopheles (Faust by Gounod), Prince Gremin (Eugene Onegin by Tchaikovsky), Salieri (Mozart and Salieri), the Viking merchant (Sadko) in operas by Rimsky-Korsakov, the old Gypsy (Aleko by Rachmaninov), Wotan in Wagners Ring of the Nibelungs, Konchak (Prince Igor by Borodin), Philip II and Procida in Verdis operas, and so on. He became a great interpreter of Boris and Dosifei in the operas by Mussorgsky. He was awarded the Stalin Prize in 1941, 1949 and 1951. In 1967 he began teaching, and became a professor at the Moscow Gnessin Institute. He gave an important recital for his 80th anniversary, and for his 90th sang Prince Gremin (in Eugene Onegin) at the Bolshoi in Moscow in July 1985. Reizen died at the age 97 of a sudden stroke. His place in the performance history of opera is secure. He is generally considered to have been the most illustrious Russian bass since Feodor Chaliapin and the owner of one of the very finest voices of its type heard anywhere in the past 100 years. Luckily, he made a number of recordings which verify his greatness.

Comments