Скачать с ютуб T Brinda & Vegavahini Vijayaraghavan | Raga Gamakakriya | Meenakshi Memudam Dehi в хорошем качестве

T Brinda & Vegavahini Vijayaraghavan | Raga Gamakakriya | Meenakshi Memudam Dehi

Meenakshi Memudam Dehi Raga - Gamakakriya / Thala - Adi (2 Kalai) / Composer - Muthuswamy Dikshitar T Brinda presents a Chittaswara after the anupallavi. I unfortunately don't have any details about this chittaswara. She was accompanied by her daughter Vegavahini Vijayraghavan, Sri T.Kesavalu on the violin and Coimbatore Sri N.Ramaswamy on the mridangam. Pallavi: mInAkSi mE mudam dEhi mEcakAHNgi rAjamAtaHNgi Anupallavi: mAnamAtRmEyE mAyE marakata chAyE shivajAyE mInalOcani pAshamOcani mAnini kadambavanavAsini Charanam: madhurApurinilayE maNivalayE malayadhvaja pANDya rAja tanayE vidhuviDambana vadanE vijayE vINAgAna dashagamakakriyE madhumadamOdita hRdayE sadayE mahAdEva sundarEshapriyE madhumuraripu sOdari shAtOdari vidhiguruguhavashaHNkari shaHNkari Meaning: (From T.K. Govinda Rao’s book) Pallavi: O goddess Meenakshi, the bluish (“mecha”) hued one (“kaangi”), the Raaja Maatangi, give (“dehi”) me (“me”) bliss (“mudam”)! Anupallavi: She is the knower (“maana”), the knowledge (“maatru”), the known (“meye”) and also the means of knowledge (“maaye”). She is of the hue (“chaaye”) of emerald (“marakata”) and the beloved (“jaaye”) of Siva. She has eyes (“lochani”) that resemble fish (“meena”). She removes (“mochani”) all bondages (“pasha”) of the world. She is the eternal one (“maanini”), who resides (“vaasini”) in the forest (“vana”) of Kadamba. Charanam: She is enshrined (“nilaye”) in the holy city (“puri”) of Madhura. She is adorned with gemset (“mani”) bangles (“valaye”). She is the daughter (“tanaye”) of Malayadhvaja Paandyaraaja. The beauty of Her face (“vadane”) outshines (“vidambana”) that of the moon (“vidhu”). She is the victorious one (“vijaye”). She plays (“kriye”) the ten (“dasha”) kinds of Gamakas on the Vina. She is delighted (“modhita”) with the sweetness (“madha”) of honey (“madhu”). She is compassionate (“hrudaye”). She is the beloved (“priye”) of Mahadeva-Sundaresha. She is the sister (“sodhari”) of Vishnu, who is the enemy (“ripu”) of demons Madhu and Mura. She has a slender (“shaath-“) waist (“udari”). She captivates (“vashankari”) Brahma (“vidhi”) and Guruguha. She is Shankari. Picture: "The Western Gopuram" The southern districts tour and Madras presidency photographs, 1857-58 The Madras government appointed Tripe as photographer following the 1855 directive from the Court of Directors in London, who discouraged illustration in favour of 'photography as a means by which representations may be obtained of scenes and buildings, with the advantages of perfect accuracy, small expenditure of time, and moderate cash', and asked that photography be the main means of recording architecture and antiquities (Dewan, p.6). As official photographer to the Madras Government, Tripe set off from Bangalore on 14 December 1857 after delays due to waiting for modifications to his new English camera, and his recovery after falling from a horse. He ended his tour in Madras on 30 April 1858 after travelling via Srirangam, Tiruchchirappalli, Madurai, then Pudukkottai, Tanjore, and Tiruchchirappalli again (then called Seeringham, Trichinopoly, Madura, Poodoocottah and Tanjore). All of these areas had been forcefully taken under British rule in the previous one hundred years, but Tripe looked for scenes or subjects with architectural or antiquarian interest rather than political significance. He had wanted to ensure his images were practical too: before he had set out he had asked the chief engineer for guidance on what would be most useful from an engineering perspective, and incorporated this input into his work. Pictures: Victoria and Albert musem, London Editing: Shreeraam Shankar Instagram:   / vaak_me   YouTube:    / @vaak_foundation   Facebook:   / vaak.me   Twitter:   / vaak_me   Vaak Sep 2020: https://issuu.com/carnaticmusic/docs/...