Скачать с ютуб N'faly Diakité - Hunter Folk Vol I: Tribute to Toumani Koné (full album) в хорошем качестве

N'faly Diakité - Hunter Folk Vol I: Tribute to Toumani Koné (full album)

N'faly Diakité - Hunter Folk Vol I: Tribute to Toumani Koné (Mieruba) https://nfalydiakite.bandcamp.com/alb... 0:00 Negue Tigui 3:57 Ngon 7:46 Donso 11:19 Mougoukan 15:38 Nankama 19:22 Mogote Diabeye 23:49 Sadionan 28:26 Ngoni 32:05 Dounoukan ‘Tribute to Toumani Koné’ is Nfay Diakité’s first solo album, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso ngoni player since N’gonifo Bourama. Nfaly Diakité is a representative of the new generation of donso ngoni players and he wishes to pay tribute to Toumani Koné, who throughout his long career has been a symbol of courage, daring, loyalty and honesty. . . DONSOYA (THE HUNTERS’ BROTHERHOOD) The Donsoya, the hunter’s brotherhood, is a centuries-old tradition in Mali. The members of this brotherhood, the donsow, are considered to be the guardians of Malian tradition and culture. They are also known for their divination and healing abilities, through practices such as dance, song, the use of medicinal plants, as well as amulets and talismans. The donsow are initiated at an early age and follow a rigorous process involving rituals, ceremonies and teachings. The whole philosophy of the donsoya (literally, the consciousness is there) is developed in the songs of the donso ngoni folaw (the hunters’ praisers). Based on certain themes common to the organisation of all societies (destiny, life, death, love, etc.), the donso ngoni folaw tell us how the initiates of the Mandé, a cultural region located between Mali, Guinea and Côte d’Ivoire, see the world. The donso ngoni folaw play an essential role for the whole of Mandé society, beyond their brotherhood. True educators, they combine the repetition of traditional formulas and phrases with free texts, which are nevertheless circumscribed by certain themes. In the donso foli (hunters’ music), it is the present that defines the future, but that future cannot exist without the presence of the ancestors who speak to us through the ngoni players. Everything is regulated by the complementarity and polarity of the elements, the instruments and the functions of men and women. With the crisis raging in Mali, it seems necessary to reconnect with the original vision of the world provided by the donsoya, a philosophy of the Manding world that is rich in meaning but not easy to decipher and bring up to date. Popularising and disseminating donsoya music is a step towards building the world of tomorrow, a world based on respect and trust, free from the ravages of money, and enabling the people of the Mande to grow in the spirit of their ancestors.